Nathaniel Hawthorne Quotes

Of course, in a novel, people's hearts break, and they die and that is the end of it; and in a story this is very convenient. But in real life we do not die when all that makes life bright dies to us.

Men come and go, cities rise and fall, whole civilizations appear and disappear-the earth remains, slightly modified. The earth remains, and the heartbreaking beauty where there are no hearts to break....I sometimes choose to think, no doubt perversely, that man is a dream, thought an illusion, and only rock is real. Rock and sun.

In Shakespeare the birds sing, the bushes are clothed with green, hearts love, souls suffer, the cloud wanders, it is hot, it is cold, night falls, time passes, forests and multitudes speak, the vast eternal dream hovers over all. Sap and blood, all forms of the multiple reality, actions and ideas, man and humanity, the living and the life, solitudes, cities, religions, diamonds and pearls, dung-hills and charnelhouses, the ebb and flow of beings, the steps of comers and goers, all, all are on Shakespeare and in Shakespeare.

Sometimes, upon waking, the residual dream can be more appealing that reality, and one is reluctant to give it up. For a while, you feel like a ghost -- Not fully materialized, and unable to manipulate your surroundings. Or else, it is the dream that haunts you. You wait with the promise of the next dream.

The line of gray along the horizon is brighter now, and with the coming light I feel a certainty: that there is, despite our wild imaginings, only one life. The ghostly others, no matter how real they seem, no matter how badly we need them, are phantoms. The one life we're left with is sufficient to fill and refill our imperfect hearts with joy, and then to shatter them. And it never, ever lets up.

Romantic comedies are there to give us dreams and butterflies, but what we can create in our own lives could be not only better but real.

A new world, material without being real, where poor ghosts, breathing dreams like air, drifted fortuitously about.

The real struggle is about you: you, a person who has to learn to live in the real world, to inhabit her own skin, to know her own heart, to stop waiting for life to begin.

Like all great fantasists, he has taught me about life, life in eternity rather than chronology, life in that time in which we are real.

Brooklyn was a dream. All the things that happened there just couldn't happen. It was all dream stuff. Or was it all real and true and was it that she, Francie, was the dreamer?

Live an active life among people who are doing worthwhile things, keep eyes and ears and mind and heart open to absorb truth, and then tell of the things you know, as if you know them. The world will listen, for the world loves nothing so much as real life.

I learned life were no dream I learned truth deceived Man is not God Life is a century Death an instant

As we live through thousands of dreams in our present life, so is our present life only one of many thousands of such lives which we enter from the other more real life and then return after death. Our life is but one of the dreams of that more real life, and so it is endlessly, until the very last one, the very real the life of God.

I know not whether you came to me or I to you. Not whether it was a dream, asleep or awake. I am lost in the darkness of a downcast heart. Dream or reality. Let it be decided tonight.

Biography is the mesh through which real life escapes.

The things that we have and that we think are so solid - they're like smoke, and time is like the sky that the smoke disappears into, nothing is left but the sky, and the sky keeps on being just the same forever.

I make a real effort to try and live in the real world and not just the dream world.

The real world has no obligation to be convincing, so it throws up some very weird moments sometimes.

This had been real: real in its flaws and uncertainties, real in its small triumphs, real in its compromises and understanding.

Everything that falls upon the eye is apparition, a sheet dropped over the world's true workings. The nerves and the brain are tricked, and one is left with dreams that these specters loose their hands from ours and walk away, the curve of the back and the swing of the coat so familiar as to imply that they should be permanent fixtures of the world, when in fact nothing is more perishable.

It appears to me impossible that I should cease to exist, or that this active, restless spirit, equally alive to joy and sorrow, should only be organised dust - ready to fly abroad the moment the spring snaps, or the spark goes out, which kept it together. Surely something resides in this heart that is not perishable - and life is more than a dream.

I think a lot of the questions - questioning reality and the self and the desire to change, to me are always at the heart of life. No matter how old you are, to me life is always about changing and growing and discovering and that's not always easy.

It’s so real." "Most dreams are. It isn't until you wake up that you see all the plot holes.

The story does what no theorem can quite do. It may not be "like real life" in the superficial sense: but it sets before us an image of what reality may well be like at some more central region.