Walter Salles Quotes

Novelas are very respected in the Latin world.

English culture is highly literary-based.

The English Bible - a book which, if everything else in our language should perish, would alone suffice to show the whole extent of its beauty and power.

I don't remember 'Doctor Who' not being part of my life, and it became a part of growing up, along with The Beatles, National Health spectacles, and fog. And it runs deep. It's in my DNA.

When I bought a collection of Tolstoy and Dostoyevsky, I returned home with a bright enthusiasm to begin the long march into the Russian soul. Though I've failed to read either man to completion, they both helped me to imagine that my fictional South Carolina was as vast a literary acreage as their Russia.

It seems to me that in literature, books have always been answers to other books.

Maybe the example of Southern fiction writing has been so powerful that Southern poets have sort of keyed themselves to that.

White people use their literature to maintain culture. That's why you find references to Milton and Spencer and Shakespeare and Dostoyevsky in contemporary novels.

So, whenever I'm writing, I'm writing in the presence of all the other books I've read and I think we all are.

I can imagine the writers of China, England and France, crippled and unsure of themselves when they feel that the ghosts of Confucius, Mencius, Chaucer and Shakespeare and Victor Hugo are looking over their shoulders.

There is certainly no one 'type' of writer who deliberately draws on Shakespeare. In fact, there's a strong argument that everyone writing in the English language is influenced by Shakespeare because, to a considerable degree, he shaped that language.

The high-school English teacher will be fulfilling his responsibility if he furnishes the student a guided opportunity, through the best writing of the past, to come, in time, to an understanding of the best writing of the present. He will teach literature, not social studies or little lessons in democracy or the customs of many lands. And if the student finds that this is not to his taste? Well, that is regrettable. Most regrettable. His taste should not be consulted; it is being formed.

Catholicism believes in the Virgen de Guadalupe. The mother of God is worshipped, especially in Latin America. I find her very empowering. I find that the Virgen de Guadalupe allowed me to return to parts of my upbringing I had disregarded.

Although every novel is derived directly from another novel, there is really only one novel, the Quixote.

There's nothing political about American literature.

In the poorest cottage are Books: is one Book, wherein for several thousands of years the spirit of man has found light, and nourishment, and an interpreting response to whatever is Deepest in him.

It is a fact that the classics of Yiddish literature are also the classics of the modern Hebrew literature.

I grew up in Mississippi being told it was a great place, but not feeling that. When I finally began reading seriously, literature showed me something about where I was from which was worthwhile.

To be an Irish poet after that 19th century in which there was such a struggle toward the light, I think still will always be in the hearts of the writers of my generation and the generations before and hopefully the generations after.

Lastly, this threefold poetry flows from three great sources - The Bible, Homer, Shakespeare.... The Bible before the Iliad, the Iliad before Shakespeare.

What is literary tradition? What is a classic? What is a canonical view of tradition? How are canons of accepted classics formed,and how are they unformed? I think that all these quite traditional questions can take one simplistic but still dialectical question as their summing up: do we choose tradition or does it choose us, and why is it necessary that a choosing take place, or a being chosen? What happens if one tries to write, or to teach, or to think, or even to read without the sense of a tradition? Why, nothing at all happens, just nothing.

I prefer dead writers because you don't run into them at parties.

I always loved English because whatever human beings are, we are storytellers. It is our stories that give a light to the future. When I went to college I became a history major because history is such a wonderful story of who we think we are. English is much more a story of who we really are.

The basis of national identity is to say, "This is authentic to me or my forebears," and is there even such a thing? How authentic is it to your life? Just because your grandfather did it, what does that have to do with you? If I say I'm working in the style of Rembrandt, so what? You can say it, but are you really? No, because when you try to literally copy a cultural artifact, you change it. It dissolves, and then who's looking at it? People who appreciate that kind of drawing, or people it means nothing to?

Virtue is not a chemical product...it is a historic product, like language and literature; and this means that if we cease to care about it, cease to cultivate it, cease to transmit its funded values, a large part of it will become meaningless, like a dead language to which we have lost the key.