Jack Antonoff Quotes

If you go to Hollywood, you've already sold out.

SIXX: A.M. is a passion project. I think when you do things like that and put your heart into them and do your best and don't necessarily put them on a marketing grid, that's when things turn out the best.

Most female artists - to do what you have to do and to be as honest as you have to be, to be as selfish as you have to be, as tunnel-visioned as you have to be to make art, not entertainment - you can't compromise, really.

I think, at the end of the day, it comes down to authenticity and creating what you love.

I always talk about if you want to be an artist, you have to be authentic because people can tell bullshit a mile away. There is nothing wrong with creating a character, standing behind that character, and that being an authentic performance piece, because that's a piece of art as well. But if you want to be an artist in any form, you have to know to come with it.

I feel that all you can do is give it your absolute best with whatever gifts the universe has given you. And if you make it in some way that other people can recognize, that's fine. But even if you don't quote-unquote make it, you're fine, if you've given it your whole heart and soul. You're totally in sync with your purpose and with the universe. And that's fine.

I dont ever want to do anything mediocre. I hear the music in the charts and I dont mean to be rude, but those people have no soul. Learning from music is like eating a meal - you have to pace yourself. You cant take everything from it all at once. I want to be different, definitely. Im not a one trick pony. Im at least a five-trick pony.

I just go in the studio and do what I love to do. People will be people, they'll come and go, they'll like you then not like you, I just try to stay true to myself first and that's what most important because that way when you are successful you can stand up and say look, I did it my way and I did it the way that I wanted to do it.

I'm going to work with Dan Clowes. After Charlie Kaufman, it's hard to fill up the gap. It's hard to find somebody who... A lot of writers, I can clearly see the desire of succeeding before the desire of expressing themselves. Sometimes people get upset when you want to be different. You were talking about "whimsical," which is a nice word. But sometimes they use the word "quirky" in the pejorative sense. I get frustrated, because they feel like I'm doing whatever I want, and there is no ground, and I don't really care. They feel it's cynical. But I don't think I have any cynicism in me.

You just want to make something that's awesome and that people dig, and I'm excited about it.

Don’t make stuff because you want to make money - it will never make you enough money. And don’t make stuff because you want to get famous - because you will never feel famous enough. Make gifts for people - and work hard on making those gifts in the hope that those people will notice and like the gifts.

I don't want to look back at my career and see a string of incredibly commercial projects that don't have much heart. I'm looking for things that have soul.

In hip-hop, what you have is you have a lot of formulaic-type bands or rappers that come up. They saw something on the radio, and they want to mimic that formula. And that's just boring. I don't wanna record something just to make money; I want to record something to enjoy it and have fun because I'm a music lover.

The moment you cheat for the sake of beauty, you know you're an artist.

If one uses music that one does not really love, then one will not succeed in making it one's own.

I want that every piece of art be honest, never mind what it is about.

I think the most challenging part of being a performer is just making sure that people know that when you get up there every night, it's unique and that you care.

David Lee Roth had the idea that if you covered a successful song, you were half way home. C'mon - Van Halen doing 'Dancing in the Streets'? It was stupid. I started feeling like I would rather bomb playing my own songs than be successful playing someone else's music.

I don't want ever to be guilty of what my critics claim: doing formula without original elements.

I think the success of my work stems from being truthful.

If I wanted to make a quick buck, there's far easier ways of doing it. What I want is to provoke people. If you want a hit song, all you need to do is rewrite an old song. It might have been proven to work, but you won't be remembered the same way.

If you start to just aim for what the audience wants to hear, you're already hamstrung because you don't have any freedom.

The big cop-out would be to accept popularity rather than opting to try to create potent work. It's so easy to do the popular thing, the expected thing, and that's where you start to cheat yourself - and your fans, in the end - because there's an inherent dishonesty in pandering and dishing up what everyone's expecting.

If you're trying to please everyone, then you're not going to make anything that is honestly yours, I don't think, in the long run.

With fame, I'm able to create more. With every success, you have more freedom to create.