Greg Sestero Quotes

We have many Lisas, Marks, Dennys, Johnnys, and other characters from 'The Room' in America and in the entire world.

You can't really ever recreate 'The Room.'

I learn new things about what 'The Room' does wrong or oddly every time I see it with a crowd.

I didn't know there was a thing for bad movies until 'The Room,' but there is. There's just a fascination.

I truly believe that the story behind 'The Room' is more fascinating and bizarre than 'The Room.'

I really like the Chris-R scene and of course the "you are tearing me apart Lisa" scene. The reason I love the Chris-R scene is because we worked really hard to finish it. It's not just that though, it brings people together. Everyone is one the roof together by the end of the scene. You see the perspectives of the different characters. I feel like with all the connections in this scene that the room connects the entire world

I still think that, uh, the original draft from 'The Room' was brilliant in its own way. It made me laugh, which is - which is a good thing. It got a reaction.

I haven't seen any of those films that are considered to be the best bad movies. I didn't know there was really a market for them until 'The Room.'

After 'The Room' premiered in 2003 - which went exactly as it does in 'The Disaster Artist' - I didn't think it was going to go anywhere. It wasn't a film I wanted to share with people.

My relationship to 'Rocky Horror' probably started when I was younger than my parents would like me to admit.

The Room' has just been something that has spread for so many years in such an organic way because, it's just people wanting to share it with their friends and take people to the theater to see it.

Along with 'Wet Hot American Summer' and 'The Room,' 'Lebowski' belongs in the canon of nouveau cult classics.

I really like 'Disaster Artist.'

I've made movies that nobody saw initially, and then, all the sudden, people over the years pick up on it. Like 'Spinal Tap' and 'Princess Bride.'

I'm still asked a great deal about 'The Wicker Man' because it's become one of the great cult movies of all time. That's the story of my career, really, making cult movies. And I've always said it's the best film I've ever made.

For whatever reason, every project I do becomes sort of a cult, or a cultish show, you know, like 'Battlestar,' or even a film I did years ago, 'Kalifornia,' people refer to it as a cult film.

I spent years working in low-budget horror films. When you've done 'Cannibal Women in the Avocado Jungle of Death,' you can handle anything!

Cult movies are basically movies Hollywood missed the first time - that they should have gotten - and then the fans got it and made it successful.

'Can't Stop the Music' has become a cult film. It's kind of shocking to me. People come up to me all the time and say, 'I just saw it!'

I sort of forgot about 'Z Channel' after it went off the air in 1989, but once Jason Resnick of Focus Features made the suggestion, I became obsessed all over again. I still am. I'll probably be this way until I'm 80, babbling about 'Z Channel.'

I love cult movies. I probably have watched 'Big Trouble In Little China' more than anyone on the planet.

'Lesbian Vampire Killers' was quite embarrassing.

I always say that you don't have to like 'The Room', but you will discover something - maybe a tiny little thing - and say, 'Wait a minute, maybe I want to see more.'

When you look at other good-bad movies like 'Sharknado' and 'Birdemic,' those movies know that they're B movies, know that they're silly and over the top, as opposed to 'The Room,' where Tommy Wiseau, the guy at the centre of it all, he attempted to make a very earnest drama.

I can't stress it enough that we genuinely love 'The Room.' Like I said, I've seen it more than any other movie that's ever been made, and it gets to a point where if a movie is that watchable, when can we just call it a good movie?