James Baldwin Quotes

When I was younger I was much more polemical and didactic, much less trusting. Inherently my own vision of the world would weave its way through the characters. Also, my concerns are changing. What happens is you write a few plays and get boxed into some idea of what your concerns are and what you're supposed to be writing about.

The more I grow as an artist, the more I think I become like my father as an artist. The more I diversify, the more I become like my father, which is true to who he was.

I want to be remembered as an actor who put in some good work in the beginning of his career, even better work at the end of his career and slowly, successfully made the transition into writing and directing.

I can't imagine anybody who ends up being an artist who didn't pass through a time of geekiness.

As an artist, you keep learning. You draw out different parts of you.

The thing you start noticing as books go by, is that you become aware not only of a shape of a career, but of your themes and interests. You don't want writing tricks where you make the same joke every time, but you do start to notice what consumes your mind, or what drives you.

I didn't know if it would be a successful one, or what the stages would be, but I always saw myself as a lifetime musician and songwriter...I was always concerned with writing to my age at a particular moment. That was the way I would keep faith with the audience that supported me as I went along...I'm a synthesist. I'm always making music. And I make a lot of different kinds of music all the time. Some of it gets finished and some of it doesn't...The best music is essentially there to provide you something to face the world with.

It's not like I'm not writing great music anymore, it's just that I want to take it another level.

To journalists my move from comics to films to best-selling novels was resembling those little evolutionary maps too much, where you see the fish, and then it can walk, and then it's an ape and then it gets up on its hind legs and finally it is a man. I didn't like that. I didn't like the fact that there was something rather amphibious about me - at least in their heads - back when I was writing comics. So I like continuing to write comics, if only because it points out that I haven't just started to walk upright or left the water.

I just figured if I'm going to call myself a songwriter throughout my life, then writing for most genres of music is something I should at least attempt.

You do not immortalize the lost by writing about them. Language buries, but does not resurrect.

I do get labeled as a guitar band, but the only reason is that's the instrument I know how to play. The guitar is serving the song I'm writing. But I'm learning how to play keyboard better now so that'll start serving the song as well; it'll be another flavor. I'm not going to switch it up with big, fat drum machine beats and real swoopy synths, but yeah...

There is ... scarcely any species of writing of which we can tell what is its essence, and what are its constituents; every new genius produces some innovation, which, when invented and approved, subverts the rules which the practice of foregoing authors had established.

Unless a writer is extremely old when he dies, in which case he has probably become a neglected institution, his death must always seem untimely.

I know not whether, in the eyes of the world, a brilliant death is not preferred to an obscure life of rectitude. Most men are remembered as they died, and not as they lived. We gaze with admiration upon the glories of the setting sun, yet scarcely bestow a passing glance upon its noonday splendor.

Death, death. Now I won't be able to write my beautiful memoirs.

The writing of the Beatles, or John and Paul's contribution to the Beatles in the late sixties - had a kind of depth to it, a more mature, more intellectual approach. We were different people, we were older. We knew each other in all kinds of different ways than when we wrote together as teenagers and in our older twenties.

When you write, you lay out a line of words. The line of words is a miner's pick, a wood carver's gouge, a surgeon's probe. You wield it, and it digs a path you follow. Soon you find yourself deep in new territory. Is it a dead end, or have you located the real subject? You will know tomorrow, or this time next year.

There are always two deaths, the real one and the one people know about.

It has been said that to write is to live forever. The man who said that is dead.

Branding is quite an important thing. As an artist, you want to be able to explore facets of yourself.

Friends open the door for me to write. Then I get paid attention to and it allows me to write other books. The Great Spring and the thirtieth anniversary of Bones just came out and while I'm happy and excited about that, I've already finished a new book. That's what practice does. You don't get caught.

I spent 15 minutes writing Stand By Your Man, and a lifetime defending it.

A distinguished man should be as particular about his last words as he is about his last breath. He should write them out on a slip of paper and take the judgment of his friends on them. He should never leave such a thing to the last hour of his life, and trust to an intellectual spurt at the last moment to enable him to say something smart with his latest gasp and launch into eternity with grandeur.

I always thought old age would be a writer’s best chance. Whenever I read the late work of Goethe or W. B. Yeats I had the impertinence to identify with it. Now, my memory’s gone, all the old fluency’s disappeared. I don’t write a single sentence without saying to myself, ‘It’s a lie!’ So I know I was right. It’s the best chance I’ve ever had.