Zaha Hadid Quotes

Right now in my middle years, I'm getting to enjoy a resurgence of my own creativity, which I'm fully embracing and enjoying.

When I need to take a side, I write a newspaper article and I tell my government, "You should not do that, you should do this." They don't listen to me, but I've been doing this for sixty years now. But, when I write a novel, I am not in that business.

I'm always trying to pop up in different genres, what interests me. Sometimes I just like to throw myself into new situations to see what it feel like.

There is something abominable about cameras, because they possess the power to invent many worlds. As an artist who has been lost in this wilderness of mechanical reproduction for many years, I do not know which world to start with. I have seen fellow artists driven to the point of frenzy by photography.

I look forward to exercising my American civil liberties and getting fully, completely and legally married this year to my true love of over three years, Linda Wallem.

You can treat experience as a set of surprises on which to exercise your quirky self.

I have excellent relationships with Jewish organizations and participate every year in a Hanukkah celebration with my family. There haven't been any anti-Semitic tendencies in my team for a long time.

I think it's more interesting if you go all the way with the world you have, and really look at it, and push it to an even more extreme extreme.

If the director wishes to print it, then you have a series of choices, maybe millions of choices within that minute-and-a-half, or 80 seconds, or 2 minutes or however long or short the take is, you have all those choices committed to celluloid. I find that absolutely thrilling.

I had been a Girl Scout from the time I was 8 to the time I was 18 years old. I had belonged to my church organization and youth groups. But, you never really found a way that you could make a change.

My ideas are not developed before I actually do the pieces.

I also became a poet, and for one year lived in a Paradise of my own creation; I imagined that I also might obtain a niche in the temple where the names of Homer and Shakespeare are consecrated.

If you're purely derivative in what you do, then you could very easily get lost along the way. But for me, I might want to even do something else for a while.

To imagine myself in different ways comes from my beginnings in the theatre. People are more accepting when you go 'apparently', 'wildly' afield from who you are or where you were brought up.

Life should be lived on the edge of life. You have to exercise rebellion: to refuse to tape yourself to rules, to refuse your own success, to refuse to repeat yourself, to see every day, every year, every idea as a true challenge - and then you are going to live your life on a tightrope.

I care deeply about anyone who listens to my music. That's a sacred connection between the artist and the person who appreciates what you do - it's beyond words how meaningful that is. But I'm not going to stifle myself from trying new things because I feel like people that are already into my stuff might not like it.

All organizations start with WHY, but only the great ones keep their WHY clear year after year.

The immediate future of man lies in the imagination and in seeking the dimension where the imagination can be expressed. The present cultural crisis on the surface of the planet is caused by the fact that this is not a fitting theater for the exercise of imagination. It wrecks the planet. The planet has its own Eco-systemic dynamics, which are not the dynamics of imagination.

We're often afraid to do anything unless we know we can do it extremely well. But we get to Carnegie Hall by practicing. I remember how freeing it was several years ago to read in an interview with Joan Baez that some of Bob Dylan's early songs weren't so wonderful. We have this image of genius springing fully grown out of Zeus' forehead.

When I found out after that first successful exhibition that the gallery wanted me to do another show like the first one, I come out two years later with four 6-foot drawings of classical nudes masturbating. The gallery director flipped the freak out!

I had an interesting day. I was in the studio with a group of musicians, who shall remain nameless, and I said to them "Our exercise today is not to use 'undo' at all. So, there's no second takes. Or, if you do a second take, you have to do the whole take. There's no sort of drop in, change that little bit". The session broke down in, I'd say, 40 minutes. It was impossible for people to work in that restriction any longer.

And certainly when I reached La Chorerra in 1971 I had a price on my head by the FBI, I was running out of money, I was at the end of my rope. And then “THEY” recruited me and said, “you know, with a mouth like yours there's a place for you in our organization“. And I've worked in deep background positions about which the less said the better. And then about 15 years ago they shifted me into public relations and I've been there to the present.

While I like people, I do also like being alone in a room and seeing what you can do with a particular theme or subject.

When a person travels through a few years with an organization, or with a partnership, or any other kind of working association, he leaves a 'wake' behind in these two areas, task and relationship: what did he accomplish and how did he deal with people?

Film is a pretty poor medium to deliver a message. I'm not trying to do that. I'm just trying to ask a lot of questions and hopefully you can draw your own conclusions about whatever meaning might be there or what point there is; but I was conscious of wanting to create something that for a lack of a better word had a positivity and earned that.