M. Ward Quotes

I'm a real person that cares about his art and cares about what he's doing. I have a heart and a soul and I want to touch people and give.

Lyrics mean a lot to me, and I won't record a song unless I can feel it. That's something I learned from Carter Stanley. Even when he wasn't perfect technically, he got inside a song and sold it emotionally.

I do feel bad when my films don't do well, but I respect audiences' verdict because they know well which films to support. If they don't like a film, we should accept it.

More of my songs are intended to be funny than almost anyone else. Sometimes maybe it cheers me up a bit. I've got a distance from it. Sometimes what I'm writing is more important to me than the rest of my life. It's more important to me that I'm writing well than anything else.

I'm not the kind of writer that can wake up and say, "Okay, I'm gonna write a song today," and have that song be the kind I would want to record. The songs of mine that I end up liking are songs that come from real experience. They're like chapter titles in my life.

I'm always proud and pleased when people do my songs. It gives me pleasure that they even attempt them, because a lot of my songs aren't that doable.

Artists, by definition innocent, don't steal. But they do borrow without giving back.

A song doesn't just come on. I've always had to tease it out, squeeze it out. 'No thesaurus can give you those words, no rhyming dictionary. They must happen out of you.

Take a step, breathe in the world, give it out again in story, poem, song, art.

Scientific discovery is a private event, and the delight that accompanies it, or the despair of finding it illusory, does not travel. One scientist may get great satisfaction from another's work and admire it deeply; it may give him great intellectual pleasure; but it gives him no sense of participation in the discovery, it does not carry him away, and his appreciation of it does not depend on his being carried away. If it were otherwise the inspirational origin of scientific discovery would never have been in doubt.

A song is no song unless the circumstance is free and fine. If a singer sing from a sense of duty or from seeing no way to escape,I had rather have none. Those only can sleep who do not care to sleep; and those only write or speak best who do not too much respect the writing or the speaking.

I think it's important to be able to write stuff that's personal to you and stuff that you'll really be able to understand what you're singing about and be able to truly sing it. Because if you're singing a song that someone's written for you and you really can't relate to it, it's hard to sing that song.

I am nervous that the craft of songwriting is taking a nose dive...And since I'm a songwriter and I connect with an interpretative, you know, interpretation of a song, I miss it. I just miss it.

When I look back at my paintings, they don't give me a sense of where I was when I first met that guy. They don't give me a sense of what I felt like when I first saw that original source material. They give me a sense of the world that I'm trying to create. And we all just have to deal with that.

Johnny Cash's face belongs on Mount Rushmore...I don't write as much as I did back when I was writing songs every day. I've come to know when I've got a good one, although sometimes it takes the world awhile to catch up with me...If you're in it because you love it and you have to do it, that's the right reason. If you're in it because you want to get rich or famous, don't do it.

The reason I don't play any of the old songs is because I really honor my old band, and I think that those songs are best served within the context of that band.

The hallmark of an artist is generosity.

[A]s soon as you try and take a song from your mind into piano and voice and into the real world, something gets lost and it's like a moment where, in that moment you forget how it was and it's this new way. And then when you make a record, even those ideas that you had, then those get all turned and changed. So in the end, I think, it just becomes it's own thing and really I think a song could be recorded a million different ways and so what my records are, it just happened like that, but it's not like, this is how I planned it from the very beginning because I have no idea, I can't remember.

I tended not to be concerned about whether a song was going to be a hit when I wrote it. Because it became evident that none of us knew what was a hit and what wasn't. So I thought if I just write what I like, why shouldn't people like what I like?

One of the things I love about doing things that are creative is that I feel like it's my right as an artist not to be affected by the reactions of those people that are going to hear my songs.

And do you agree with me, that the first condition of an artist should be to bear respect toward what is great, and to bow to it and acknowledge it and not attempt to extinguish great flames for the sake of making his own rushlight burn more brightly?

Normally the meaning of the songs, if there is any, occurs to me after I've written the song.

I write songs from the point of view I had at a time;I'm not tryingto write songs from a young person's point of view.That only ends in disaster.

If you're not inspired and you're working hard to pull inspiration from somewhere and make a song something it's not, then it's very contrived and I don't like to write music that's contrived.

I'm working with a producer, Scott Jacoby, who co-wrote "Trouble" off No Beginning No End. Without giving away too much, it's a definite pop/r&b vibe, pretty strong melodies, and definitely about songs.