Suzuka Nakamoto Quotes

'Suits' fans. I've never met a more diverse audience: across gender, race, class. It's incredible. People who are high-powered lawyers to doormen. A Chinese immigrant cable installer - who barely spoke English - loves 'Suits!'

It's really cool to know that you've put something together that isn't for a particular audience. It's so often that a TV show can really only speak to one sect of the population, and this really is something that appeals to a worldwide fan base. People who are into the pursuit of knowledge. Their reaction has meant the world to us.

I always place myself as the archetypal Cure fan. I'm the wrong age, but I still think that if I like anything particularly, our fans will.

I did not want 'Battleship' to be perceived as an American war film. I wanted to do everything I could to make the film accessible to a global audience. It felt like bringing an alien component to the film would help take the American jingoism out of it.

I don't care if you're an Asian fan or an American fan: I'm happy to perform.

I have a lot of fans in places like Germany, Switzerland and Austria, and I spend a lot of time there.

What I love about my audience is it's extremely diverse as far as the ethnicities and the ages that show up.

I feel like, of course, Houston has Asian fans and Japanese fans, and Asian fans live all over the place.

We've noticed that even though we sing in Japanese, our fans study Japanese and sing along with us, and that people who like J-pop and people who like metal both enjoy our music just the same.

I'll be getting all types of crazy fans, from the hoodest dude to the straight-up dude in a business suit. It's dope. I have a crazy wide-range fan base.

History should belong to all of us, and it needs to include people from different cultural backgrounds. Otherwise, it risks becoming irrelevant to children, who could then become disenchanted with education.

I love how Duran Duran had the female fan base, then it grew until males started to like them, too.

What's great is that because math is such a universal language, really, our fans come in all shapes and sizes, all ages and genders and races and backgrounds and cultures.

Now we have an audience that is so very eclectic. Big, tremendous fans.

My fan base is really expanding into an inter-generational thing - it's what every artist probably hopes for.

You go to college not only for the latest knowledge but also to meet people from different backgrounds. That's the genius of the American higher-education system compared with the Europeans'. We don't simply skim the elite.

I think why my content does so well with so many different types of people is because it speaks to everyone. I'll make a Soca music reference, I'll use a Tamil word, I'll do a Jamaican Patois accent. I know about all these people, and I'm not afraid to indulge in their culture.

I grew up about 30 minutes north of Boston in a town that was a virtual melting pot - I was exposed to all different backgrounds, cultures, and religions, fueling my personal interests in global issues.

I have my diehard R&B fans on one side of the spectrum and my diehard pop and dance fans on the other side of the spectrum.

Growing up in a multicultural family, I never really felt that I was different - even though I was from most of the kids in my school. Especially with music, I try to just approach it as an equal.

I love my neighborhood: There are Russian families, the artistic community, the gay community, and industry professionals - all ethnicities and ages are represented. That's the kind of neighborhood that I grew up in.

We are lucky to have a big fan base and that we can support ourselves doing live shows.

I have a very diverse crowd from old, young, black, white, straight, gay. It's a little bit of everybody.

I don't mind having 16-year-old fans, but I hate just having 16-year-old fans. I want more diversity.

My American audiences are pretty mixed. I get all sorts of people, old and young. It's nice.