H. P. Lovecraft Quotes

Here on the drawing board fingers and noses leak from the air brush maggots lie under if i should die before if i should die in the back room stacked up in smooth boxes like soapflakes or tunafish wait the undreamt of.

It is a horrible fact that we can read in the daily paper, without interrupting our breakfast, numerical reckonings of death and destruction that ought to break our hearts or scare us out of our wits.

War is hell. Hollywood fantasizes about it and makes it look good... war sucks.

There is nothing glamorous or romantic about war. It's mostly about random pointless death and misery.

Do not weep, maiden, for war is kind. Because your lover threw wild hands toward the sky And the affrighted steed ran on alone, Do not weep. War is kind. Hoarse, booming drums of the regiment, Little souls who thirst for fight, These men were born to drill and die. The unexplained glory flies above them, Great is the battle-god, great, and his kingdom -A field where a thousand corpses lie. Do not weep, babe, for war is kind.

They wanted to have a good time, but they were like children playing in the street; they could see one after another of them being killed--run over, maimed, destroyed--but they continued to play anyhow.

Blowin' up is nothing to me.

War was the ultimate chaos, a pounding, soul-destroying snarl, ending in blown-apart men lying unburied on the cold earth. There was nothing more cosmically chaotic than war.

The hideous god of war.

Nations with nations mix'd confus'dly die, and lost in one promiscuous carnage lie.

There whil'st the world prov'd prodigal of breath, the headless trunks lay prostrated in heaps; this field of funerals sacred unto death, did paint out horror in most hideous shapes: whil'st men unhors'd, horses unmast'red, stray'd, some call'd on those whom they most dearly lov'd, some rag'd, some groan'd, some sigh'd, roar'd, promis'd, pray'd, as blows, falls, faintness, pain, hope, anguish mov'd.

With that, the poignant charm vanished. Inside the fifth machine, all was rampant malignity. Deformed flowers thrust monstrous horned tusks and trumpets ending in blaring teeth through the crimson walls, rending them; the ravenous garden slavered over its prey and every brick was shown in the act of falling. Amid the violence of this transformation, the oblivion of the embrace went on. The awakened girl, in all her youthful loveliness, still clasped in the arms of a lover from whom all the flesh had fallen. He was a grinning skeleton.

Burn, burn tree and fern! Shrivel and scorch! A fizzling torch To light the night for our delight, Ya hey! Bake and toast ‘em, fry and roast ‘em! till beards blaze, and eyes glaze; till hair smells and skins crack, fat melts, and bones black in cinders lie beneath the sky! So dwarves shall die, and light the night for our delight, Ya hey! Ya-harri-hey! Ya hoy!

I was happy enough; I knew that during the night the whole city might go up in flames and all its people be killed, but the ravines, houses, and footpaths would wake in the morning calm and unchanged.

So many humans. So many colours. They keep triggering inside me. They harass my memory. I see them tall in their heaps, all mounted on top of each other. There is air like plastic, a horizon like setting glue. There are skies manufactured by people, punctured and leaking, and there are soft, coal-coloured clouds, beating, like black hearts. And then. There is death. Making his way through all of it. On the surface: unflappable, unwavering. Below: unnerved, untied, and undone.

She touches me The jungle lights up with incinerating fire Looks like a flaming serpent I look into her eyes I see a movie flickering Car crashes People kicking corpses Men ripping their tracheas out and shaking them at the sky I think to myself: I don’t want to survive this one I want to burn up in the wreckage Cooking flesh in the jungle

Well! I had the most fantastic dream! Trees crying blood. Horrible dead elves going around and killing people! Raistlin wearing black robes! It was the most incredible thing! And you were there, Sturm. Laurana and Flint. And everyone died! Well, almost everyone. Raistlin didn't. And there was a green dragon-' Tasslehoff stopped. What was wrong with his friends? Their faces were pale, their eyes wide.

The present war is the saturation point in violence. It spells, to my mind, also its doom.

When I am dead, and over me bright April Shakes out her rain drenched hair, Tho you should lean above me broken hearted, I shall not care. For I shall have peace. As leafey trees are peaceful When rain bends down the bough. And I shall be more silent and cold hearted Than you are now

When your laboratory explodes, lacing your body with a supercharged elixir, what do you do? You don't just lie there. You crawl out of the rubble, hideously scarred, and swear vengeance on the world. You keep going. You keep trying to take over the world.

They're trying to kill me," Yossarian told him calmly. No one's trying to kill you," Clevinger cried. Then why are they shooting at me?" Yossarian asked. They're shooting at everyone," Clevinger answered. "They're trying to kill everyone." And what difference does that make?

There is nothing intelligent to say about a massacre.

I was lucky enough to see with my own eyes the recent stock-market crash, where they lost several million dollars, a rabble of dead money that went sliding off into the sea. Never as then, amid suicides, hysteria, and groups of fainting people, have I felt the sensation of real death, death without hope, death that is nothing but rottenness, for the spectacle was terrifying but devoid of greatness... I felt something like a divine urge to bombard that whole canyon of shadow, where ambulances collected suicides whose hands were full of rings.

The single combats of the heroes of history or fable amuse our fancy and engage our affections: the skillful evolutions of war may inform the mind, and improve a necessary, though pernicious, science. But in the uniform and odious pictures of a general assault, all is blood, and horror, and confusion . . .

Deceit comes in through the ears, but usually leaves through the eyes.