Edwin Hubbel Chapin Quotes

My mother lived till she was 95 and never had a line on her face or a frown line. She was beautiful.

I am inspired and affected by Aspen, the light and the landscape and the natural world.

To see the Earth below you when we could take a break... to appreciate the environment around us was very special.

Safe in the hallowed quiets of the past.

Sunsets are my escape into the reality I want to continuously live.

Little wonder that we. . .find the old pictures of openness - pictures usually without any blur, and made by what seems a ritual of patience - wonderful. They restore to us knowledge of a place we seek but lose in the rush of our search. Though to enjoy even the pictures, much less the space itself, requires that we be still longer than is our custom.

After a day of cloud and wind and rain Sometimes the setting sun breaks out again, And touching all the darksome woods with light, Smiles on the fields until they laugh and sing, Then like a ruby from the horizon's ring, Drops down into the night.

There is magic in the feel of a paddle and the movement of a canoe, a magic compounded of distance, adventure, solitude, and peace. The way of a canoe is the way of the wilderness and of a freedom almost forgotten. It is an antidote to insecurity, the open door to waterways of ages past and a way of life with profound and abiding satisfactions. When a man is part of his canoe, he is part of all that canoes have ever known.

No matter how long we exist, we have our memories. Points in time which time itself cannot erase. Suffering may distort my backward glances, but even to suffering, some memories will yield nothing of their beauty or their splendor. Rather they remain as hard as gems.

Romance takes place in the middle distance. Romance is looking in at yourself through a window clouded with dew. Romance means leaving things out: where life grunts and shuffles, romance only sighs.

Here silence stands Like heat. Here leaves unnoticed thicken, Hidden weeds flower, neglected waters quicken, Luminously-peopled air ascends; And past the poppies bluish neutral distance Ends the land suddenly beyond a beach Of shapes and shingle. Here is unfenced existence: Facing the sun, untalkative, out of reach.

Light is snow sifted / To an abstraction.

The man of humanity delights in mountains

Thou hastenest down between the hills to meet me at the road, The secret scarcely lisping of thy beautiful abode Among the pines and mosses of yonder shadowy height, Where thou dost sparkle into song, and fill the woods with light.

No monster vibration, no snake universe hallucinations. Many tiny jeweled violet flowers along the path of a living brook that looked like Blake's illustration for a canal in grassy Eden: huge Pacific watery shore, Orlovsky dancing naked like Shiva long-haired before giant green waves, titanic cliffs that Wordsworth mentioned in his own Sublime, great yellow sun veiled with mist hanging over the planet's oceanic horizon. No harm.

There you'll find the place I love most in the world. The place where I grew thin from dreaming. My village, rising from the plain. Shaded with trees and leaves like a piggy bank filled with memories. You'll see why a person would want to live there forever. Dawn, morning, mid-day, night: all the same, except for the changes in the air. The air changes the color of things there. And life whirs by as quiet as a murmur...the pure murmuring of life.

The world is so full and abundant it is like a pregnant woman carrying a child in one arm and leading another by the hand. Every puddle in the lane is ringed with sipping butterflied that fly up in flutter when you walk past in the late morning on your way to get the mail.

Why, Yrael?” it said, as the last of the dark gave way to silver, and the shining sphere of metal sank slowly to the ground. “Why?” “Life,” said Yrael, who was more Mogget than it ever knew. “Fish and fowl, warm sun and shady trees, the field mice in the wheat, under the cool light of the moon.

Earth has not anything to show more fair.

Age is frequently beautiful, wisdom appearing like an aftermath.

This land, although not my native land, Will be remembered forever. And the sea's lightly iced, Unsalty water. The sand on the bottom is whiter than chalk, The air is heady, like wine, And the rosy body of the pines Is naked in the sunset hour. And the sunset itself on such waves of ether That I just can't comprehend Whether it is the end of the day, the end of the world, Or the mystery of mysteries in me again.

So his life has flowed, From its mysterious urn a sacred stream, In whose calm depth the beautiful and pure, Alone are mirrored; which, though shapes of ill, May hover round its surface, glides in light, And takes no shadow from them.

Henry James seems most entirely in his element, doing that is to say what everything favors his doing, when it is a question of recollection. The mellow light which swims over the past, the beauty which suffuses even the commonest little figures of that