Anthony Burgess Quotes

One of the grotesqueries of present-day American life is the amount of reasoning that goes into displaying the wisdom secreted in bad movies while proving that modern art is meaningless. They have put into practice the notion that a bad art work cleverly interpreted according to some obscure Method is more rewarding than a masterpiece wrapped in silence.

I think we're much smarter than we were. Everybody knows that abstract art can be art, and most people know that they may not like it, even if they understand there's another purpose to it.

It is obvious that art cannot teach anyone anything, since in four thousand years humanity has learnt nothing at all.

It used to be that if you stood in front of a painting you didn't understand, you'd have some obligation to guess. Now you don't.

I don't like most contemporary art. But I think if you talked to any person who's heavily involved in contemporary art, they'd say the same thing. If you go to a biennale, you don't expect to like much of it.

The history of modern art is also the history of the progressive loss of art's audience. Art has increasingly become the concern of the artist and the bafflement of the public.

We believed that there's no such thing as good art or bad art. Art is art. If it's bad, it's something else. It was a much, much harder line in the '50s and '60s than it is now, because the idea of art education didn't exist - they didn't have a fine arts program when I was a kid.

Art is for anyone. It just isn't for everyone. Still, over the past decade, its audience has hugely grown, and that's irked those outside the art world, who get irritated at things like incomprehensibility or money.

I'm not very sympathetic to the tendency to bring art to the people.

The philistine provides the best definition of art. Anything that makes him rage is first class.

MoMA is one of the world's most admired cultural institutions.

The moment you think you understand a great work of art, it's dead for you.

I get the feeling that people from outside the world of contemporary art see it as deserving of mockery, in an emperor's-new-clothes sort of way. I think that's not right and that it's just because they don't understand the discourse.

It is not hard to understand modern art. If it hangs on a wall it's a painting, and if you can walk around it it's a sculpture.

My popularity has to do with the divorce between modern art, where everything is obscure, and the viewer who often feels he needs a professor to tell them whether it's good or not. I believe a painting has to talk directly to the viewer, with composition, color and design, without a professor to explain it.

I don't pretend to know anything about art. I make pictures for entertainment, and then the professors tell me what they mean.

The art world is the biggest joke going. It's a rest home for the overprivileged, the pretentious, and the weak. And modern art is a disgrace - never have so many people used so much stuff and taken so long to say so little.

This man, who for twenty-five years has been reading and writing about art, and in all that time has never understood anything about art, has for twenty-five years been hashing over other people's ideas about realism, naturalism and all that nonsense; for twenty-five years he has been reading and writing about what intelligent people already know and about what stupid people don't want to know--which means that for twenty-five years he's been taking nothing and making nothing out of it. And with it all, what conceit! What pretension!

Nothing touches a work of art so little as criticism.

Modern art is a disaster area. Never in the field of human history has so much been used by so many to say so little.

I've always been very opinionated, for lack of a better term, about art. Not to sound too arrogant, but I guess I'm a connoisseur of telling people what I think is good and bad.

A public that tries to do without criticism, and asserts that it knows what it wants or likes, brutalizes the arts and loses its cultural memory. Art for art's sake is a retreat from criticism which ends in an impoverishment of civilized life itself.

People have pointed out evidences of personal feeling in my notices as if they were accusing me of a misdemeanor, not knowing that criticism written without personal feeling is not worth reading. It is the capacity for making good or bad art a personal matter that makes a man a critic.

Art is difficult. It's not entertainment. There are only a few people who can say something about art - it's very restricted. When I see a new artist I give myself a lot of time to reflect and decide whether it's art or not. Buying art is not understanding art.

If a work of art is placed before me, I believe I can enjoy it; but I do not overlook the fact, that Art is one thing, another thing Amusement; and that people do like amusements, and will run after it.