Emil Cioran Quotes

It had never occurred to me before that music and thinking are so much alike. In fact you could say music is another way of thinking, or maybe thinking is another kind of music.

At the beginning of the 20th century, the ambition of the great painters was to make paintings that were like music, which was then considered as the noblest art.

When I composed, I heard my music played by the orchestra within days of completion of the score. No master at a conservatory, no matter how revered, can teach as much by verbal criticism as can a cold and analytical hearing of one's own music being played.

Music is a reservoir... of sounds.

I usually think in terms of music.

For me, the music dictates the melody. Give me a riff to sing over, you know?

Music, I think, he makes me feel like music

If I want to read something that's really giving me something serious and fundamental to think about, about the human condition, if you like, or what we're all doing here, or what's going on, then I'd rather read something by a scientist in the life sciences, like Richard Dawkins, for instance.

I am always writing a potpourri of music. I want to give the world escapism through the wonder of great music and to reach the masses.

I say, as a singer grows older, his conception grows a little deeper, because he lives life and he understands what he is trying to say a little more. And I think this gives. If a singer tries to find out what's happening in life, it gives him a better insight on telling the story of the song he is trying to sing.

I think good art, if I could be pretentious enough to say, I think good art deals with the micro to explain the macro.

We say then, that Christianity is adapted to the intellect, because its spirit coincides with that of true philosophy; because it removes the incubus of sensuality and low vice; because of the place it gives to truth; because it demands free inquiry; because its mighty truths and systems are brought before the mind in the same way as the truths and systems of nature; because it solves higher problems than nature can; and because it is so communicated as to be adapted to every mind.

I think my favorite medium is music, with my main tools being my voice and a guitar. But I do find every other medium extremely fulfilling and useful in helping everything I do. Sometimes I need to make a song just for a comic. All of the art and mediums are connected for me.

My boyfriend's a musician, and I think when he's on stage is the only time he's not worrying. And so that's the reason he keeps doing it is because it gives him that sort of experience of weightlessness that I only get out of being sort of, deep into writing something or really lost in a moment on set, like it's available to me in these select moments through my work.

I'm really good at melodic and sonic things, but I don't really think I have anything to say. But I really enjoy the puzzle-making of taking words and adding a melody to them.

I was a little worried that the familiarity would be a little weird, but I think for me everything is musical in my life. For me, timing is a rhythm.

I think that music, or at least the kind of music that I make, benefits greatly from improvisation.

I wish I could play music. I think I get as closeas possible with the editing of the films. Over the years musichas been an even more important influence than-or as important as-film.There's no doubt about it. Painting, movement, dance, sculpture-it'sall in cinema.

For the past eighty years I have started each day in the same manner. It is not a mechanical routine, but something essential to my daily life. I go to the piano, and play two preludes and fugues of Bach. I cannot think of doing otherwise. It is a sort of benediction on the house. But that is not its only meaning for me. It is a rediscovery of the world of which I have the joy of being a part. It fills me with awareness of the wonder of life, with a feeling of the incredible marvel of being a human being.

You know that in order to copyright material somebody has to write it down for you. Any piece of recorded material has to be scored in order for it to be copyrighted. I've seen the scores of my things and they don't resemble the music in any way. If you give them to somebody who has never heard the music and say, "What does this sound like to you?" they'll play you something that has no relationship with the music it derives from. Notation simply isn't adequate.

All you gotta do is think of the song in your head. And it doesn't matter whether you can play it or not, you can get somebody to play it. With songs I've written, there's a song called "The Statue", which I can't play. There are songs that I've written that I've actually just hummed on - there's a song on one of the albums they have there on the Internet called "My Love Was True" and it's almost operatic. I can't play it. But I can sing it.

I am not an evangelist. I am not a preacher. I am a musician. That is what I know how to do. I know how to write songs. I know how to write things that relate to my heart. I feel that I talk about God in every song, in everything I do - all of it! I really do not know how to respond. I do not relate to that.

Eventually you'll take the phrases and rhythm patterns you've copped and begin to put your own mark on them

I think nobody wants to hear a sermon. Well, some people do, but maybe not through music or not with me. No one wants to hear me give a speech that way.

[Songwriting is] something that I own - it's my property, it's my music, it's my voice.