Evanna Lynch Quotes

The first time I was flown to L.A. for a screen test was an incredibly nerve-racking experience.

I knew Jimmy Dean. He tested for 'Battle Cry'. Paul Newman tested for 'Battle Cry'. I did nine tests to finally get that role.

I had auditioned for 'Lagaan.' That's where I met Aamir for the first time. He was a superstar; I was a nobody. Yet, he treated me gently and affectionately. He put me at ease completely.

I cannot forget the day when I gave the first screen test of my life. The film was Gulshan Rai's 'Trishul' and I was selected. I was just 16.

I auditioned for 'The Lord of the Rings,' I auditioned for the part of Sam, and I didn't get very far… they wanted people that were taller and alter them in Computer Generated Images, so I never got a call back.

Working with Adrien Brody was like going to Julliard, but instead of four years, I went for four weeks. He was like the Albert Einstein of professors, it was just the best experience of my life. Adrien was the most influential mentor in my acting career thus far, and even after the movie he continues to mentor me.

I knew at the time that that wasn't the part I would be doing, they just wanted a screentest so they could have a look at it to show to the directors and producers. Then they wrote a part for me or maybe they already had it in mind, I don't know.

It was a few days later I came out to Hollywood for a screen test, and so did a lot of other people. So, I really didn't think I would get it. I was definitely the one that was least likely to get it, because everyone else was an already established star.

I think I was first choice for the part. I don't know - that's what they always tell you anyway. I didn't have to do any audition for the part. Sam saw me in Dinner and the whole thing slipped into place.

When I audition, I understand what it takes and the insecurities that come with it. If I do anything, I put actors at ease. I used to tell directors who weren't actors, the best thing they could do was take an acting class for a couple of months. Just to understand.

I've learned a lot about what kind of actor I want or do not want to be while being on set. I sit back and observe how other actors treat the totem pole of set politics.

I auditioned for Robert Redford once and I was so starstruck I couldn't even speak. I had a mic wire at a screen test clipped to me and then I got kind of nervous and I paced in a circle and then took a step and tripped and fell on my face. You just have to forgive yourself and keep going on.

The next day, I got a phone call from him and he told me to come and read for a movie called New Jack City. So I went over there and they told me I was gonna wear dreads and play a cop.

When I'm on stage, I feel very much at home - within a theater, within an ensemble - so this entire process is something I feel very attuned with.

That's where the theatre of dreams is, over in L.A.; it's the land of opportunity for actors, and to go over there with a good team behind you and have a part you want to audition for really makes it a joy.

If you only live in the world of the actor, and if you only live in the world of auditions, etc., then you don't really have a whole lot to offer when it comes to playing the humans that you're trying to audition for.

The director took my face in his hands and asked me to show him my teeth, as with a horse. This happened on a Wednesday, and by the following Monday I was shooting.

I took theatre and stuff in college, then I took a bunch of different acting classes here in L.A. Sometimes when I have a hard audition, I'll call my acting coach and he'll come help me. I actually get more nervous in acting class than I do at an actual audition. It's actually a really great way to get over your nerves.

My so-called 'reservations' and personal comfort zones can't define my work. That's not being professional. I feel that even if an actor is cast for the lead role or for any other part in the film, it is his job to do the film and not create an issue.

I was living in Evanston, Illinois and I was taking theater classes down the street, and our theater school was kind of affiliated with an agency, and so I went on one audition for whatever that movie was, 'My Stepmother is an Alien' or whatever it was, and 'Roseanne' was my second audition.

If you're a kid in Southern California, somebody - whether it's you or your parents - somebody throws your hat into the ring and I think everyone had a commercial or two.

Nothing is so discouraging to an actor than to have to work for long hours upon hours in brightly lighted interior sets.

So, I certainly subscribe to what Bette said about acting being very hard work.

The expense of a screen test is one reason why it's difficult to crash Hollywood.

I think it's almost easier to do a kissing scene with someone you don't know.