Tom Felton Quotes

Lonesome Rhodes had wild mood swings. He'd be very happy, he'd be very said, he'd be very angry, very depressed, and I had to pull all of these emotions out of myself. And it wasn't easy.

That's kind of how I am - a roller coaster of emotions.

There's something really exciting about playing someone where you're given license to be unpredictable.

I think the simpler it is when you have a crazy character to play is almost more creepy and interesting.

I would say, as loving as I am... I am definitely an extremely temperamental man who has a very large temper.

Tortured characters are, I think, an actor's dream.

I seem to have been cast several several times to do it. I think in this one, Phoenix is not purely evil. She was in the comic books at some point but the way the writers created her or we always talked about her, was that she was torn with her powers taking over and trying to control them at the same time. It was challenging to play which made it interesting for me to play this character.

I've been the victim a lot, so I've often played the person who's getting raped or murdered or abused. And so, to actually be raping and murdering and abusing people is a whole different kind of challenge, and one that was very difficult, at times.

On, those ever-changing moods of Moscow! How swiftly they go from black to white, from one extreme to another, from friendship to accusations, from adoration to hatred, from the permissive 'da' to that annihilating 'nyet.' Those eternal swings from a thaw to a freeze, whims that disregard their own rules, norms, and regulations!

Caleb could be so testy for no known reason. At times, it was like dating a woman with irritable bowel syndrome. Or rabies.

Indeed the worthy housewife was of such a capricious nature, that she not only attained a higher pitch of genius than Macbeth, in respect of her ability to be wise, amazed, temperate and furious, loyal and neutral in an instant, but would sometimes ring the changes backwards and forwards on all possible moods and flights in one short quarter of an hour; performing, as it were, a kind of triple bob major on the peal of instruments in the female belfry, with a skilfulness and rapidity of execution that astonished all who heard her.

Every character thinks differently, and every character has a different energy and way that they tick. But to find a character like Kai, who is so far that he doesn't even feel things, he is so different from me. That is the most exciting part.

I have always played the cheerful girl next door, especially on the Internet, and this film is a break from that. My character is more moody and bratty in 'Karwaan.'

I really enjoy those characters like 'Profit.' With those elements that are shady and dark, you're not responsible for being a likable character. Like some of Jack Nicholson's characters, you remember them for so long.

In 'Talvar', my character loses his daughter and it was quite an intense role. I had to concentrate and I would request all the unit members to stay silent before the take.

Playing somebody who's obsessed. Playing somebody who is transgressing, and who is really crossing moral lines and ethical lines. That's always interesting.

When I lose my temper, honey, you can't find it any place.

Lose your temper and you lose the fight.

The truest comparison we can make of love is to liken it to a fever; we have no more power over the one than the other, either as to its violence or duration.

…a lady of what is commonly called an uncertain temper --a phrase which being interpreted signifies a temper tolerably certain to make everybody more or less uncomfortable.

Mystical state, madness, how it frightens people. How utterly crazy they become, remote, rude, peculiar, cruel, taunting, farouche as wild beasts who have smelled danger, the unthinkable.

It's like all those quiet people, when they do lose their tempers they lose them with a vengeance.

A child that has a quick temper, just blaze up and cool down, ain't never likely to be sly or deceitful.

The feeble-minded, the neurotic, the criminal, perhaps, also, the artist, have unpredictability and perverted innocence in common.

I've often thought that it would be great to do some acting because nobody would think that I would be able to do it and it scares the living hell out of me.