Frank Herbert Quotes

There are those who believe that the value of a children's book can be measured only in terms of the moral lessons it tries to impose or the perfect role models it offers. Personally, I happen to think that a book is of extraordinary value if it gives the reader nothing more than a smile or two. In fact, I happen to think that's huge.

I'm very conscious that I'm an entertainer. Something like 73 percent of my readers are college graduates, so you can't condescend to people. You've got to tell them a story that they will be willing to pay money to read.

People don't come out for book events. They want to feel an emotion and be entertained.

Reading books might itself be a bit weird, but obviously okay, since books were part of school, and doing well in school was clearly a good thing. But comics were more like candy, just flashy wrappers without any nourishment. Cheap thrills.

I like being out onstage in front of everybody, getting that energy and giving that energy. Hopefully I am making them forget about all their problems in the world. For however many hours they are at our show, hopefully they are going to have a great time, and it makes life a little more bearable for everybody involved.

A book is not completed till it's read.

My quarrel with him is, that his works contain nothing worth quoting; and a book that furnishes no quotations, is me judice, no book,—it is a plaything.

Reading will give you lasting pleasure.

I believe with all my heart in delivering on my contract with my readers. They've got plenty of other things to do, so I had better give them a reason to turn every one of these 550 pages. This is my promise: I solemnly swear I'll make you laugh out loud at least once, cry a little in private, and burn whatever you left on the stove.

The only real reason for self-referencing is the fun factor. It's fun for the writer, getting little peeks at what old characters might be up to. And it's fun for readers to spot a familiar face, or pick up on a made-up book title or something from an earlier story. I don't know that it does -- or even should -- contribute to the story in hand being any better than it would have been without it.

A movie doesn't have to do everything. A movie just has to do a couple of things. If it does those things well and gives you a cool night at the movies, an emotion, that's good enough.

You can't write well what you don't read for pleasure. If it doesn't entertain you, it's not going to entertain anyone else.

An autobiography should give the reader opportunity to point out the author's follies and misconceptions.

If he can give his readers no reason why they should read his book, except that the events happened to him, it is not a valid book.

Tis the good reader that makes the good book.

I am stretching out this volume, since those German dogs estimate the value of books by their cubic contents.

A novel must work as a story because no one's going to get to the other themes if you don't entertain the reader. But I like to have another layer of meaning, although you can read the book on one level and not bother with that other layer.

If I'm writing a story and you're reading it, or vice versa, you took time out of your day to pick up my book. I think the one thing that will kill that relationship is if you feel me condescending to you in the process.

Humor is important for is pacing. If your whole book is just drama drama drama, it's going to wear down the reader.

You need to give the reader a reason to turn the page. In a diary, you are just yourself. You aren't trying to entertain. You aren't trying to get anyone to turn the page. I have over one hundred and fifty six volumes of my diary and I guarantee you that if you read them, you'd stop and never come back.

Without the book business it would be difficult or impossible for true books to find their true readers and without that solitary (and potentially subversive) alone with a book the whole razzmatazz of prizes, banquets, television spectaculars, bestseller lists, even literature courses, editors and authors, are all worthless. Unless a book finds lovers among those solitary readers, it will not live . . . or live for long.

Books are, let's face it, better than everything else.

Books are like sapphires; they must be polished - polished! or else you insult your readers.

After all, the world is not a stage-not to me: nor a theatre: nor a show-house of any sort. And art, especially novels, are not little theatres where the reader sits aloft and watches...and sighs, commiserates, condones and smiles. That's what you want a book to be: because it leaves you so safe and superior, with your two-dollar ticket to the show. And that's what my books are not and never will be...Whoever reads me will be in the thick of the scrimmage, and if he doesn't like it if he wants a safe seat in the audience-let him read someone else.