Robert Pattinson Quotes

I am glad I worked on a newspaper because it made me know I had to write whether I felt like it or not.

Consistency is very important when you're making films.

The most difficult part of making movies is to keep making them. Maybe, you could make the biggest hit in the world, but then the big problem is what to do next and how to maintain devoted to a certain instinct that I have about films.

All my life I've been flirting. I'm no different. I still carry on the same way.

I feel it's very important to let individual writers' voices come through. But the character has to be consistent.

I think that the continuity of what I do as an editor with what I did when I started out 40 years ago is very direct. The delivery system is changing and will continue to, but the actual interaction between publisher and author is exactly the same.

It's always difficult with the superhero stuff because you're working with characters who have been written by 100 to 200 people over the past 20 years, at least, so they never sound the same or act the same. The best approach is to try to draw the best fitting line through all of the interpretations.

I work with Garry no matter what. What I wanted to keep going was the streak.

I try to be the same person I was yesterday.

I still see myself as young, the same guy I was before I ever won the Heisman. Hopefully my friends still feel I'm the same way. I just want people to know I'm still the same person I've always been.

The trick is to try and justify every word on the page and make sure my character is the man who would say that.

One never wants to do anything that's going to break that 'sculpture of the character' that's been done so far, or make anything that's been done so far become illogical in any way, so you always want to try to connect when you're doing a series of films that has a continuous character.

If you book the same models that look and act the same in every show - I get the continuity, and it is beautiful to see, but there's also no life to it. I'm personally not a fan of that.

I'm still the same cat I always was.

I'm very similar to the way I was when I was 5.

What is nice about doing a long-running show is finding a language that gives it some depth.

You could look at Tim Brown, you walk in the locker room and you knew you were going to get consistency with him as a person and as a player.

It's such a privileged thing to say, but I'm still that same lazy person!

You really have to do your job as a writer and push people to be as creative as possible. What's nice about the TV medium is you have such a connection to the characters that when somebody dies, the audience cries. They really feel it. You really don't cry when someone dies in a horror movie.

I believe ability can get you to the top,” says coach John Wooden, “but it takes character to keep you there.… It’s so easy to … begin thinking you can just ‘turn it on’ automatically, without proper preparation. It takes real character to keep working as hard or even harder once you’re there. When you read about an athlete or team that wins over and over and over, remind yourself, ‘More than ability, they have character.'

It is a fair adornment of a man and a great convenience both to himself and to all those with whom he converses and deals, to act uprightly, uniformly, and consistently. The practice of piety frees a man from interior distraction and from irresolution in his mind, from duplicity or inconstancy in his character, and from confusion in his proceedings, and consequently securing for others freedom from deception and disappointment in their transactions with him.

You realize time isn't just a period that you tell a story within - it becomes a major character in the film. There is no beginning, middle, end because there is always stuff beginning and ending simultaneously.

The network wants you to make a thing that's just a stand-alone episode, so you never get any character or continuity. This is one of the ways in which television can actually be good, and even better than the movies, because it gives you a chance to tell a long story.

If the point of life is the same as the point of a story, the point of life is character transformation. If I got any comfort as I set out on my first story, it was that in nearly every story, the protagonist is transformed. He's a jerk at the beginning and nice at the end, or a coward at the beginning and brave at the end. If the character doesn't change, the story hasn't happened yet. And if story is derived from real life, if story is just condensed version of life then life itself may be designed to change us so that we evolve from one kind of person to another.

With each one, I love working on the story and the characters. The stunts, each time, we keep pushing ourselves harder and harder. And they are stunts, so there's always a danger in doing them, but fortunately, I have not had a problem. I have not missed a day of work, ever, in my career. I'm always there early. And I train very hard, and we prepare very carefully for each one.