Norman Lloyd Quotes

It's not like you make a decision and everything inside you is 100 percent happy.

It's always interesting to see somebody struggling with two different sides of their personality.

It's like I had two things pulling at me: you want to be a fighter, and you have problems. So I couldn't be a fighter, and I wasn't solving any problems.

If neurotic is wanting two mutually exclusive things at one and the same time, then I'm neurotic as hell.

Modern science knows much about such conflicts. We call the mental state that engenders it "ambivalence": a collision between thought and feeling.

Behavior is the outcome of the battle among internal systems.

here was a silence between them for a moment, and she wondered if all women, when in love, were torn between two impulses, a longing to throw modesty and reserve to the winds and confess everything, and an equal determination to conceal the love forever, to be cool, aloof, utterly detached, to die rather than admit a thing so personal, so intimate.

Two things, almost incompatible, are united in me in a manner which I am unable to understand: a very ardent temperament, lively and tumultuous passions, and, at the same time, slowly developed and confused ideas, which never present themselves until it is too late. One might say that my heart and my mind do not belong to the same person.

Obstinate are the trammels, but my heart aches when I try to break them. Freedom is all I want, but to hope for it I feel ashamed. I am certain that priceless wealth is in thee, and that thou art my best friend, but I have not the heart to sweep away the tinsel that fills my room. The shroud that covers me is a shroud of dust and death; I hate it, yet hug it in love. My debts are large, my failures great, my shame secret and heavy; yet when I come to ask for my good, I quake in fear lest my prayer be granted.

She knew, of course that she was being supremely unfair, that Franz was the best man she ever had- he was intelligent, he understood her paintings, he was handsome and good-but the more she thought about it, the more she longed to ravish his intelligence, defile his kindheartedness, and violate his powerless strength

Why am I always at war with myself? Why have I told, as if upon compulsion, what I knew all along I ought to have withheld? Why am I making a friend of this woman beside me, in spite of the whispers against her that I hear in my heart?

There are periods of despondency and suffering which take possession of me. But I don't want anything but my own way. That is wanting a good deal, of course, when you have to trample upon the lives, the hearts, the prejudices of others-

I love characters that are going through turmoil. To be honest, I love characters with conflict. I love characters who are really going through an emotional journey; whether it's a super-dark-crazy journey or a really relatable guy.

Faust complained about having two souls in his breast, but I harbor a whole crowd of them and they quarrel. It is like being in a republic.

and I try to draw the line but it ends up running down the middle of me most of the time.

And didn't it always go like that--body parts not lining up the way you wanted them to, all of it a little bit off, as if the world itself were an animated sequence of longing and envy and self-hatred and grandiosity and failure and success, a strange and endless cartoon loop that you couldn't stop watching, because, despite all you knew by now, it was still so interesting.

Abysmal vermin that I am, I couldn't of course tell her that it was her incredible mother that I wanted to see again… I knew only as I drove through the cold, night autumn air that somewhere Freud, Sophocles and Eugene O’Neill were laughing.

But the humans weren't what made my steps falter as I walked through grass that had turned bright green with summer's touch. It was Dimitri. Always Dimitri. Dimitri, the man I loved. Dimitri, the Strigoi I wanted to save. Dimitri, the monster I'd most likely have to kill. The love we'd shared always burned within me, no matter how often I told myself to move on, no matter how much the world did think I'd move on. He was always with me, always on my mind, always making me question myself.

A stranger to myself and to the world, armed solely with a thought that negates itself as soon as it asserts, what is this condition in which I can have peace only by refusing to know and to live, in which the appetite for conquest bumps into walls that defy its assaults?

We are sure to be losers when we quarrel with ourselves; it is civil war.

Suffering and drama begin when you lie to yourself, even if you don't realize you are lying.

I hated this. I hated knowing what I wanted and knowing what was right and knowing they weren't the same thing.

Thus I am not able to exist either with you or without you; and I seem not to know my own wishes.

The need to express oneself in writing springs from a mal-adjustment to life, or from an inner conflict which the adolescent (or the grown man) cannot resolve in action. Those to whom action comes as easily as breathing rarely feel the need to break loose from the real, to rise above, and describe it... I do not mean that it is enough to be maladjusted to become a great writer, but writing is, for some, a method of resolving a conflict, provided they have the necessary talent.

What does it mean when nightmares dream of peace? When shadows wish for light?