Errol Morris Quotes

I think intensity is one thing, and gore is another.

There's not a lot of music videos that are totally, totally disturbing.

I don't like any art form barraged in violence or hurt.

You see what you think, you see what you feel, you are what you see If with the camera you can make others see it - that is photography.

When I took my clothes off in Blue Velvet, I wanted to convey the brutality of sex abuse. I wanted to look like a quartered cow hanging in a butcher shop as well as disturbingly appealing.

In the mainstream film market, certainly in television, sex is handled fairly discreetly. I think the abuse of extraordinarily graphic violence and language presses much closer to the tolerance of public taste.

When I see that man on the telly - 'Are you thinking what I'm thinking?' No! I'm definitely not! I find most of it quite offensive!

Just because I'm showing somebody being disemboweled doesn't mean that I have to get heavy and put a message behind it.

[On the] question of why we might want to look at images even more than the real thing: I think there is some quality when you look at an image of, not only seeing this thing, whether it's the horse or the sky, but you are seeing somebody point at it and say, Look!

I think people should think a million times before they give birth. The guilts of motherhood were the worst guilts in the world for me. They were really insurmountable. You see, you are depriving another human being of so many things, and the other party also knows it.

When I go see an R-rated horror movie, I want lots of violence. I want nudity. I want sex and violence mixed together. What's wrong with that? Am I the only one? I don't think so.

I always think photographs abominable, and I don't like to have them around, particularly not those of persons I know and love. Those photographic portraits wither much sooner than we ourselves do, whereas the painted portrait is a thing which is felt, done with love.

I don't like watchingpeople get shot so I would be a little skittish about that - squeamish, but I must say, I don't think the argument that this is going to offend Muslims is a legitimate argument.

I don't think there's ever been a moment in history where that, as an artistic message, has played very well, because people in their hearts know that's terrible and a lie.

I hate those movies where hundreds of people get blown up and there are jokes afterward. They poison the soul.

It's a very different thing when you're able to read something and see it in your mind, then to imagine it on screen. It's emotional transference that you don't have in literature that you have in movies. People invest in the person they see on the screen and they can't shift gears.

As far as we know, we are the only species on the planet who have been given the gift-or curse, perhaps-of awareness about our own mortality. Everything here eventually dies; we're just the lucky ones who get to think about this fact every day.

I do think that animated films have the ability to touch you someplace. There is something about live action movies that is different because we know the characters are real people, so they always stay flawed for us somehow. But animated films touch us in a very clear, uncomplicated place. They have that ability. And an animated character can make an expression in a way humans can't do.

The conflict of chemistry we do not think reprehensible. If we could look at social conflict as neither good nor bad, but simply a fact, we should make great strides in our thinking.

We like to think of industrialization as being despicable. I don't really know what to make of it. There’s something terribly brittle about it. I suppose I would still prefer to sit under a tree with a picnic basket rather than under a gas pump, but signs and comic strips are interesting as subject matter. There are certain things that are usable, forceful, and vital about commercial art. We're using those things – but we're not really advocating stupidity, international teenagerism, and terrorism.

When anybody, no matter how old they are, loses a parent, I think it hurts the same as if you were only five years old, you know? I think all of us are always five years old in the presence and absence of our parents.

We're living in a time where movies are very unimportant. They're not leaving a footprint on your heart. We're going to the movies now and we're going, "Oh, man, that was cool! That was thrilling! That was a ride!" But, we're not walking away anymore thinking, "I just experienced something that could change the way I live."

People never think about words, they only feel them.

You think it's so great to die and make everyone cry and carry on. Well it ain't.