Cormac McCarthy Quotes

What matters most has an ultimate metallic quality of death. The chasuble and the wagon wheel, the razor and the prickly beards of shepherds, the bare moon, a fly, humid cupboards, rubble piles, the images of saints covered in lace, quicklime, and the wounding edges of the rooflines and watchtowers.

On that gray street, with the smell of industrial smokes in the air and the afternoon bleeding away to evening, downtown Derry looked only marginally more charming than a dead hooker in a church pew.

I am alone on this road strewn with bones and bordered by ruins! Angels have their brothers, and demons have their infernal companions. Yet I have but the sound of my scythe when it harvests, my whistling arrows, my galloping horse. Always the sound of the same wave eating away at the world

And in the afternoon they entered a land - but such a land! A land hung in mourning, darkened by gigantic cypresses, submerged; a land of reptiles, silence, shadow, decay.

All has been looted, betrayed, sold; black death's wing flashed ahead.

I will show you fear in a handful of dust.

This whole country is a graveyard, and we are all constantly walking on the bones

I am defacing nothing. I am destroying.

Woe, destruction, ruin, and decay; the worst is death and death will have his day.

All is forgotten in the stone halls of the dead. These are the rooms of ruin where the spiders spin and the great circuits fall quiet, one by one.

The wind kicks in stronger, branches clatter. Or maybe skeletons. Bones of abandonment. Ghosts that will never be.

And now was acknowledged the presence of the Red Death. He had come like a thief in the night. And one by one dropped the revelers in the blood-bedewed halls of their revel, and died each in the despairing posture of his fall. And the life of the ebony clock went out with that of the last of the gay. And the flames of the tripods expired. And Darkness and Decay and the Red Death held illimitable dominion over all.

I think we are in rats’ alley Where the dead men lost their bones.

What man calls civilization always results in deserts.

For some reason focusing on destruction and mortality is more poetically exciting to me than hope and love.

When the sun shouts and people abound One thinks there were the ages of stone and the age of bronze And the iron age; iron the unstable metal; Steel made of iron, unstable as his mother; the tow-ered-up cities Will be stains of rust on mounds of plaster. Roots will not pierce the heaps for a time, kind rains will cure them, Then nothing will remain of the iron age And all these people but a thigh-bone or so, a poem Stuck in the world's thought, splinters of glass In the rubbish dumps, a concrete dam far off in the mountain.

ahhh the beauty of annihilation. There's nothing like it.

In her mind's eye she saw it, saw it all at last: the rolling armies and the flames of battle; the graves and pits and dying cries of a hundred million souls; the spreading darkness, like a black wing stretching over the earth; the last, bitter hours of cruelty and sorrow, and the terrible, final flights; death's great dominion over all, and, at the last, empty cities, becalmed by the silence of a hundred years. Already these things were coming to pass.

What cities, as great as this, have... promised themselves immortality! Posterity can hardly trace the situation of some. The sorrowful traveller wanders over the awful ruins of others... Here stood their citadel, but now grown over with weeds; there their senate-house, but now the haunt of every noxious reptile; temples and theatres stood here, now only an undistinguished heap of ruins.

Of all the ruinous and desolate places my uncle had ever beheld, this was the most so. It looked as if it had once been a large house of entertainment; but the roof had fallen in, in many places, and the stairs were steep, rugged, and broken. There was a huge fire-place in the room into which they walked, and the chimney was blackened with smoke; but no warm blaze lighted it up now. The white feathery dust of burnt wood was still strewed over the hearth, but the stove was cold, and all was dark and gloomy.

With that, the poignant charm vanished. Inside the fifth machine, all was rampant malignity. Deformed flowers thrust monstrous horned tusks and trumpets ending in blaring teeth through the crimson walls, rending them; the ravenous garden slavered over its prey and every brick was shown in the act of falling. Amid the violence of this transformation, the oblivion of the embrace went on. The awakened girl, in all her youthful loveliness, still clasped in the arms of a lover from whom all the flesh had fallen. He was a grinning skeleton.

I am a cemetery by the moon unblessed.