Victor Hugo Quotes

When I'm at a show, I'm there to have fun. Let's just not care for a moment. So this cake in your face is to make you lose your mind. And it's not about caring about whatever you are wearing and caring what other people are thinking about you. Out of the context, I'm trying to develop something else.

The true self seeks release, not constraint. It doesn't want to be corseted in a sonnet or made to learn a system of musical notations. It wants liberation, which is why very often it fastens on the novel, for the novel seems spacious, undefined, free.

The only rule is there's only one rule: no rules.

Being in a space that's not a studio, it kind of creates an openness of 'We can do whatever we want here; we're not on the clock.'

Why? Will no man ever do something without a why? Just like that? For the hell of it?

It's been exciting to be able to go forward with stuff without 10,000 people saying, It should be like this.

Thinking of possibilities is like driving a car on a freeway. You have an open road that stretches endlessly before you where your thoughts are not shackled. But when we say 'impossible,' we have already reached a dead-end in our minds. So dwell on possibilities to open up your horizon.

I actually found not having a routine was inspiration.

I think there's all these unknown things you can tap into when you just leave things open, and nothing is forbidden. Then you allow yourself to mold that thing that has been created by freedom and spontaneity and flexibility. That's why I avoid limiting performances of actors and characters.

I think that's an idea that's always appealed to us - to let something go where it wants to.

No matter how chaotic it is, wildflowers will still spring up in the middle of nowhere.

I think it's better when you're natural, when you just do whatever you want, instead of doing classes where I see all these other people holding back because they've been trained with certain skills or techniques. I'm like, whatever.

I always feel more comfortable in chaotic surroundings. I don't know why that is. I think order is dull. There is something about this kind of desire for order, particularly in Anglo Saxon cultures, that drive out this ability for the streets to become a really exotic, amorphous, chaotic, organic place where ideas can, basically, develop.

I don't like routine and I don't like rules.

I have no time for specialized concerns, working themes or variations that lead to mastery... I like the indefinite, the boundless; I like continual uncertainty. Other qualities may be more conducive to achievement, publicity, success; but they are all outworn - as outworn as ideologies, opinions, concepts and names for things.

No rules exist, and examples are simply life-savers answering the appeals of rules making vain attempts to exist.

I don't like to box myself in when I'm composing.

I am looking for a lot of men who have an infinite capacity to not know what can't be done.

There's a big difference between me and other YouTubers - a lot of them have big, concrete plans. I'm still this weird chicken with my head cut off. I don't know what I want to do next and haven't known that since I started.

I find it quite boring when people do things that are very considered and thought through. I like things best when they're just done because they're fun or beautiful, or simply because they are what that one person wanted to do at that one time.

It's hard to generalize, because they're all different. When I started, I decided to take as much advantage as I could of the freedom offered by the SF field.

I do not want to give you artificial and systematic laws, invented by man; only to bring you back under the unique laws of nature and order, which command to the heart and do not tyrannize the free will.

My policy is to have no policy.

We have the right to be idiots.

The studio is a time when you can do anything that you want to. You have that freedom.