Eric McCormack Quotes

There have been lots of attempts to make a movie of 'Les Miserables' over the years.

You don't go to the movies to do historical research, unless it's historical research about the movies.

I love the Warner Brothers lot. There is so much history there. They've done such a smart thing. They have signs outside of each stage which tell you what movies and TV shows were shot inside. So cool... you can almost feel the ghosts of actors past.

Remakes have been done forever. People talk about 'Scarface' and don't even know it was a remake.

I definitely remember doing 'The Alamo' with John Wayne and Lawrence Harvey and Linda Cristal. We'd work six days a week, and then John Wayne would invite us down to a little place in Texas called Del Rio, and we would break bread and have some wine and tell stories.

In general I think the inspiration was to think about all those movies that I saw as a kid and never knew they were remakes, because I know there's probably another kid going to watch Evil Dead who has no idea.

I looked at a lot of photos from Hollywood in the '20s, photographs of silent movies being filmed all over the world which are very specific and very evocative. Berenice, the lead actress, is my wife. She really followed the same path with me.

If filmmakers are ignorant of the past, they laborto re-invent the wheel in every picture. You sit and think, 'Well,we're back to 1903 here.'

You know, this is such a rich time that we've just been involved in, and there's really a job now for historians. Film is still very young. This is the first hundred years of filmmaking. So I think it's important that we have some sense of history and continuity. Especially in film.

People who know various movie versions don't really know the story.

The more films we make the more we get to deal with those pre-existing relationships. But when it comes to a movie like Ant-Man or Guardians or certainly Doctor Strange, it's just bringing to life stuff that's already been there in the comics and we finally get a chance to do it on the big screen.

I didn't shoot any guns then or when we did the scene with Uncle Charlie [Matthew Goode] and Evie [Nicole Kidman] in the hall. I sort of pressed the button but there were no blanks or anything in there because I think it was always going to cut.

I think that when the education system started to be dismantled during the first Great Depression in the 1930s, we didn't recover from that.

When you're making a movie, you can't think anybody will ever see it. You've just got to make a movie for the values it has. The greatest films were made because someone really wanted to make them. And, hopefully, the audience will show up, too.

I love Brooke Shields. She's developed into a wonderful actress and a wonderful person. We were all babies then in Brenda Starr. That's why when people say, "What did you think of that film?" I can't do what people do and say, "I hated it." I can't speak ill of a film, because it's so hard to make a film. Everybody thinks we're sitting by a pool peeling grapes, and this is not the case. It's hard. It's hard to do this stuff - and getting harder!

I kept saying I want to do an episode that's set in the past, how do we do a period episode of Black Mirror? And simultaneously there was another idea we were thinking about and the two things sort of gelled and became San Junipero.

I think that an obsession with art history gave rise to the work.

I remember the $0.05 hamburger and a $0.40-per-hour minimum wage, so I've seen a tremendous amount of inflation in my lifetime. Did it ruin the investment climate? I think not.

I think it's pretty classic if you look at the way entertainment reflects the country's status. There was a reason in the '50s when communism was bubbling that there were a million zombie movies. Because that is the direct allocation. So for the last two years we've been hearing, "Make America great again." People go, "Well, America was never great." What do you mean? What you mean is that they want to look back in history. And so I think it's only natural for entertainment to reflect that.

I think movie makers in every country are looking for ideas. It's interactive. And sometimes we remake a lot of Hollywood films but we don't buy the rights, we just try to imitate those films.

History has got a lot to do with unique circumstances under certain particular cases and grand theories will always find counter cases. I don't think that people whose expertise lies in one thing should try to make grand theories about something (a) where it's very hard to get the evidence to prove that you're right and (b) where it's much too easy to make up stories that seem right.

From whichever side I start, I think I am in an old place where others have been before me.

I think it's important to see the parallels, and to understand that our masculine and feminine roles are relatively new in human history. Both gender and race are inventions that go deep because we have been raised with them, but they are still inventions.

Look, history is interesting. I read three books on George Washington last year. And my opinion is that if they're still analyzing the first president, the 43rd president ought to be doing what he thinks is right. And eventually, historians will come and realize whether... the decisions I made made sense.

To be honest, everyone thinks that a digital camera is more reliable and every single time I work on any movie, it's just as many problems, the memory card doesn't work or blah blah blah, it overheats; it's the same volume as another camera. I think people are bit taken in by it.