Edward Gibbon Quotes

If critics say your work stinks it's because they want it to stink and they can make it stink by scaring you into conformity with their comfortable little standards. Standards so low that they can no longer be considered "dangerous" but set in place in their compartmental understandings.

All real art is, in its true sense, religious; it is a religious impulse; there is no such thing as a non-religious subject. But much bad or downright sacrilegious art depicts so-called religious subjects.

I had quite a religious upbringing. I gave my life over to Christ at 11. I took it back when I was about 14.

Over the years since I became a Christian, I have always deliberately explained that I have 'accepted Jesus Christ.' These words are invariably translated into 'Colson's professed religious experience.' I discovered that one major U.S. daily, as a matter of policy, will not print the two words Jesus Christ together; when combined, the editor says, it represents an editorial judgment.

At the moment our human world is based on the suffering and destruction of millions of non-humans. To perceive this and to do something to change it in personal and public ways is to undergo a change of perception akin to a religious conversion. Nothing can ever be seen in quite the same way again because once you have admitted the terror and pain of other species you will, unless you resist conversion, be always aware of the endless permutations of suffering that support our society.

God does not ask for 'religious' art or 'Catholic' art. The art he wants for himself is Art, with all its teeth

I'm interested in the limits of personality, in the possibility of change, and the saving power of art. Do powerful works of art raise our consciousness to such a degree that we refrain from sliding into moral hazard? Do we take note? Or are we doomed to repetition?

Air Force officials appear to be more concerned with appeasing the powerful Religious Right lobbyists who have argued against any guidelines that seek to respect and protect the rights of all cadets -- not just those adhering to majority religious beliefs.

But for the first time, I had a religious identity. I had come home. And so I called myself a Zen Buddhist at the age of 18.

The purely emotional form of Pietism is, as Ritschl has pointed out, a religious dilettantism for the leisure class.

Art among a religious race produces reliques [sic]; among a military one, trophies; among a commercial one, articles of trade.

There is no racial or religious prejudice among people in the theater. The only prejudice is against bad actors, especially successful ones.

A man whose life has been transformed by Christ cannot help but have his worldview show through.

I've seen a tremendous shift especially in indie comics. I see all these young women who are out there creating. They're making these great web comics. Their graphic novels are getting published. They're making all this wonderful art. They're powerful. There's this vital energy about it that's really, really beautiful that years ago I knew existed but I didn't see so clearly.

It is not reasonable that art should win the place of honor over our great and powerful mother Nature. We have so overloaded the beauty and richness of her works by our inventions that we have quite smothered her.

You do well to wish to learn our arts and ways of life, and above all, the religion of Jesus Christ. These will make you a greater and happier people than you are. Congress will do every thing they can to assist you in this wise intention.

I got religion in the airport, my Lord. They caught me waiting on my baggage when I was bored.

The more abstractly correct and hence powerful this idea will be, the more impossible remains its complete fulfillment as long as it continues to depend on human beings... If this were not so, the founders of religion could not be counted among the greatest men of this earth... In its workings, even the religion of love is only the weak reflection of the will of its exalted founder; its significance, however, lies in the direction which it attempted to give to a universal human development of culture, ethics, and morality.

Christian theology can fit in science, art, morality, and the sub-Christian religious. The scientific point of view cannot fit any of these things, not even science itself.

Line is the most powerful device of drawing.

You, your families, your friends and your countries are to be exterminated by the common decision of a few brutal but powerful men. To please these men, all the private affections, all the public hopes, all that has been achieved in art, and knowledge and thought and all that might be achieved hereafter is to be wiped out forever. Our ruined lifeless planet will continue for countless ages to circle aimlessly round the sun unredeemed by the joys and loves, the occasional wisdom and the power to create beauty which have given value to human life.

Religion, a mediaeval form of unreason, when combined with modern weaponry becomes a real threat to our freedoms. This religious totalitarianism has caused a deadly mutation in the heart of Islam and we see the tragic consequences in Paris today. I stand with Charlie Hebdo, as we all must, to defend the art of satire, which has always been a force for liberty and against tyranny, dishonesty and stupidity. 'Respect for religion' has become a code phrase meaning 'fear of religion.' Religions, like all other ideas, deserve criticism, satire, and, yes, our fearless disrespect.

Fatally powerful as religious systems have been, human nature is stronger and wider, and though dogmas may hamper they cannot absolutely repress its growth.

We have to keep our God placated with prayer, and even then we are never sure of him-how much higher and finer is the Indian's God...Our illogical God is all-powerful in name, but impotent in fact; the Great Spirit is not all-powerful, but does the very best he can for his injun and does it free of charge

I don't agree with most forms of censorship, and I especially don't agree with the idea that one needs to be from the same cultural, ethnic, or religious background as the subjects they portray in order to be qualified to portray those subjects. I believe that compassion and empathy should cross all of those category barriers, and the conversations art creates can be inflammatory initially, but I think are most often constructive and healing in the long run.