Chuck Palahniuk Quotes

I would like to write you so simply, so simply, so simply. Without having anything ever catch the eye, excepting yours alone, ... so that above all the language remains self-evidently secret, as if it were being invented at every step, and as if it were burning immediately

My writing model is my mother, who is a writer as well. She always valued clarity and simplicity above all else. If someone doesn't understand what you're writing, then everything else you do is superfluous. Irrelevant. If any thoughtful, curious reader finds what I do impenetrable, I've failed.

Learn from cinema. Be economic with descriptions. Sort out the telling detail from the lifeless one. Write dialogue that people would actually speak.

I think when you're writing prose there's a lot of attendant description and that's were I used to really go bananas. With a screenplay that all gets filled in by the director, so it just sort of pulls you back by virtue of the form. You also have to use more economy as a screenwriter and so it's kind of limiting in a good way.

It isn't necessary for a work to have a lot of things to look at, to compare, to analyze one by one, to contemplate. The thing as a whole, its quality whole, is what is interesting. The main things are alone and are more intense, clear and powerful.

When I sit down at the typewriter, I write. Someone once asked me if I had a fixed routine before I start, like setting up exercises, sharpening pencils, or having a drink of orange juice. I said, "No, the only thing I do before I start writing is to make sure that I'm close enough to the typewriter to reach the keys."

Our clothing, our food, our household furnishings - all could be much simpler than they now are and at the same time be better looking

I find that life is easier when it is just a blur With no details to confuse who or what or where I was So when the ending comes the full regret will be obscure

The key to all knowledge comes in words of just one syllable, apparently.... There's only the last page left to write on. I'll fill it with words of just one syllable. I love. I have loved. I will love.

Punk. . .was more a kind of do-it-yourself, anyone-can-do-it attitude. If you only played two notes on the guitar, you could figure out a way to make a song out of that, and that's what it was all about.

Short stories are designed to deliver their impact in as few pages as possible. A tremendous amount is left out, and a good short story writer learns to include only the most essential information.

It's almost scary how stylish things can look if you take the color out - how much more you see the essence of things and how much more something can appear elegant.

Perhaps the artist who seeks dignity above all in his 'historia', ought to represent very few figures; for as paucity of words imparts majesty to a prince, provided histhoughts and orders are understood, so the presence of only the strictly necessary numbers of bodies confers dignity on a picture.

I'm a plain soap kind of guy.

[Kurt] Vonnegut was a writer whose great gift was that he always seemed to be talking directly to you. He wasn't writing, he wasn't showing off, he was just telling you, nobody else, what it was like, what it was all about. That intimacy made him beloved. We can admire the art of John Updike or Philip Roth, but we love Vonnegut.

Cross out as many adjectives and adverbs as you can. ... It is comprehensible when I write: "The man sat on the grass," because it is clear and does not detain one's attention. On the other hand, it is difficult to figure out and hard on the brain if I write: "The tall, narrow-chested man of medium height and with a red beard sat down on the green grass that had already been trampled down by the pedestrians, sat down silently, looking around timidly and fearfully." The brain can't grasp all that at once, and art must be grasped at once, instantaneously.

I photograph what interests me. I'm not saying anything different.

I think my leap into TV and movies and comics is in a way natural because I'm a visual storyteller. If you look at any one of my short stories or novels, they sort of unscroll cinematically. Every scene is concrete in my mind. I can walk around the room and pick things up. I can describe at length every feature on the character, though I might only supply a glimpse of this on the page. So if I'm writing color into that I'm also writing texture, I'm pushing the image more than anything else.

One comes to bless the absolute bareness, feeling that here is a pure beauty of form, a kind of ultimate harmony.

All I'm about is just the pen.

Remember picture books are the closest form of writing to a poem. Even though they don't have to rhyme, they must be poetic. They must be written so the worst actress can read with comfort and expression.

I didn't set out to write certain kinds of songs - I just set out to write good songs.

Say all you have to say in the fewest possible words, or your reader will be sure to skip them; and in the plainest possible words or he will certainly misunderstand them.

Art, it seems to me, should simplify.