Ludwig Goransson Quotes

Artists are free to push boundaries to make art. But when pushing boundaries is their only aim, the result is usually bad art.

You can never tell when an artist really will take up someone's work and work with it happily.

Some choreographers have been cautious about working with me.

Joel Little and I have this certain chemistry we have when we work together.

Any film, or to me any creative endeavour, no matter who you're working with, is, in many cases, a wonderful experience.

Sometimes two artists wanna work together, but it doesn't mean it's gonna happen, because you have to find the right idea.

I have tried to preserve in my relationship to the film the same closeness and intimacy that exists between a painter and his canvas.

Film is a collaborative art form. If you're not being collaborative, you probably shouldn't be working in film. You don't do it on your own. People who understand that, cultivate that, get the best results.

Sometimes when an actor and director work together for the first time, it's not as if there's a suspicion, but there is tentativeness, a certain amount of a right of passage you have to go through in order to get there. When it's already there from the beginning, it's such a plus.

When I work with Future, it's almost like a work of art.

Working with Atanu again after 'Mayurakshi' is quite a challenge for me.

I think when I work with artists, I'm at their service, and I'm at the service of either their vision or a vision that we find together and we share.

Jeph Loeb has been great to work with, and he's been really supportive of some really bizarre ideas I've had.

I feel like there is a different, new energy when I collaborate with a living artist, whether it be a composer, designer, lighting designer. I love that process.

I've always liked playing with somebody else and collaborating, just to get out of my own head all the time. Everybody does, but artists especially, we torture ourselves. So it's good for me to immerse myself in somebody else's work.

As an artist, you have the job of working out whatever is given you to work out.

It takes two to paint. One to paint, the other to stand by with an axe to kill him before he spoils it.

If a work of art is to explore new environments, it is not to be regarded as a blueprint but rather as a form of action-painting.

Derek Jarman shared the responsibility for making the film. He didn't necessarily know what he wanted - he knew what he didn't want - but you had to keep coming up with stuff.

If I'm collaborating with an artist I like to give them my point of view and if they don't want to take any of my recommendations it's fine, but it's hard otherwise.

You have to collaborate with the moment and the environment. It kind of was magnified by the house being a studio.

I always feel when you work with an artist and whenever I work with a really good photographer, I try to give him or her their own artistic freedom because that's the way you get the best work or at least the most interesting work.

It's great working with directors and with somebody else's vision.

Becoming an artist does not merely mean learning something, acquiring professional techniques and methods. Indeed, as someone has said, in order to write well you have to forget the grammar.

As an artist, you want to play around with mediums and see if you can get the point across in different way.