Neko Case Quotes

I think that people see that Sandra Bullock has an ability to laugh at herself and you just don't find that too often.

I feel like I really tapped into a pretty honest emotional place for myself as a lyricist. There's a broad spectrum of emotions.

I always found that the closer I got to who I really am, on stage, the more they responded to it.

The majority of my job is being an open channel, and if I'm not being very authentic with who I am in myself, then it doesn't feel like I can dig down deep and get to really vulnerable stuff, or stuff I have never felt before.

In the writing, I'm just trying to go deeper, emotionally, and learn more about myself and reveal more and find a way to connect with people in new ways.

I approach everything the same. I try to make it as real as possible, whether you gotta make people laugh or make people cry, it's always the same approach for me. But if I start doing pratfalls, somebody please pull the plug on me.

I hope you will be yourself, human, even a little sentimental, possessed of a sense of humor and a sense of humility. . . . There are arrogant people in this world and, what is worse, arrogant judges.

I think that it's hard for vain people to be funny. I think you can look any way you want as long as you have a good sense of humor about yourself.

Everything I do is intended to make people laugh and think. I just think something is funny, it's not hurting anybody, not stabbing anybody, not shooting anybody, not making anybody watch me perform. There are thousands of comedians, don't come see me because it's not like I hide it.

People always ask me, Do you ever think you'll wake up one morning and not be funny? That thought would never occur to me--it's an odd thought and not realistic. Because funny and me are not separate. We're one.

I think comedy and music are both things that we need as human beings. I think that both art forms can touch people.

The music's rehearsed a lot. All people think about is, they think, in rock 'n' roll, they get the music off right and they think it's okay standing, looking macho. Well, it's not. That's boring. If you want to be a performer you've got to do a lot more work than that.

I think the reason I choose the comic approach so often is because it's harder, therefore affording me the opportunity to show off. Also, a comic vision is my natural world view, but I've grown up in spite of myself and I can pass the comic twist if it detracts from what the characters need. Yes, the life of a saint is hard.

In making a web video series number one, you need to have a script that you think is really funny, and it's true to yourself. I think some people use things as a stepping stone, and they want to please people and show them, "Hey, I can do hip guys in Judd Apatow style," and it's not true to them. If there's something you know about, like motorcycles, do something about motorcycles first. Do something that's really true to yourself and find a voice, and make the script as good as possible.

Comedy and drama are different sides of the same coin. And the thing about comedy and drama is about likability. It's about character first. It's about story. And for me, it's about empathy, and I think the realer someone is, the further you can go either way with them.

I think to be honest, that being is inside. I meet that being in so many people that I meet everywhere in the world and when I do meet that being, in other people, what I want to ask is "How do we keep opening ourselves so that we can become as vulnerable and as willing to live in the deepest complexity and ambiguity and truth that we can?

I quote the late Ed Murow. ... He said: 'Look, people listen to me when they want an eyewitness account. 'They think I'm a pretty good reporter. But when it comes to my opinions, mine are not worth anymore than the guy at the end of the bar.' And I believe that about myself.

I think a lot of people get into stand-up to be the center of attention, which is perfectly legitimate. But I think I got in there to be heard.

I know when I'm onstage, I don't think about how it looks, I just concentrate on really feeling what I hear. But I totally know I look like Gollum when I perform, so it's cool.

I don't do anything to try to change people's perceptions of me. I tend to think that's sort of an ego driven thing.

You'll never make a good impression on other people until you stop thinking what sort of impression you make.

When you're onstage, it's important to try and feel some type of therapy in getting the material out, because then you don't leave the stage so tired. If you're onstage and you're doing the same routine over and over, then it gets monotonous. You want to be able to try to get to the truth constantly, and I think the more you do that, the easier it is.

Sometimes people confuse contrivance and authenticity, and sometimes I think authenticity can get in the way of a good excuse to do something theatrical. I just don't like wasting opportunity - if you're going to do a photo session, if you're going to walk on stage, why not make it interesting?

I'm very bright, but I'm terrified of sounding like someone who thinks he's very bright-because those people are assholes.

There’s nothing more humbling than seeing your best quotes in a list, and thinking they could have been written by a coma patient with a keyboard and spasms.