Thomas Chatterton Williams Quotes

I love John Updike immoderately. I am profoundly shocked that he has gone because he was, for me, the greatest American writer of the second half of the 20th century. He was also a gracious, charming, and witty man.

I'm a big James Baldwin fan.

All black art is always judged to illuminate our experience and prove that our stories and our history and our lives matter. And that goes back to Ralph Ellison, James Baldwin, Langston Hughes, Zora Neale Hurston - take your pick.

The name James Baldwin had been around the house for as long as I could remember and meant almost as much as that of Martin Luther King.

To me, Harlem is one of the most important places on the earth, particularly when it comes to talking about African Americans.

Baldwin gave expression to the longings of blacks in exalted prose. He was embraced, in the tradition of Negro Firsterism, even by those who never sat down with a book, as our preeminent literary spokesman, whether he liked it or not. Neither athlete nor entertainer, but nevertheless a star.

My mother introduced me to more academic-minded writers, Cornel West and Skip Gates. In her library, I came across, when I was very young, Harold Cruse's 'The Crisis of the Negro Intellectual,' which is like a bible of Negro intellectuals from Frederick Douglass to Amiri Baraka.

Among contemporaries, I hugely admire Alice Munro, our Chekhov, Saul Bellow, Philip Roth, and John Updike, American masters all. I also believe that the voice of Gordon Lish is astoundingly original and sorrowful.

Typically, there's this perspective among writers - and black writers: there's this idea that there is one person - and maybe beyond writers - among blacks, there is always one person who everyone should go to learn about all things black.

I would love to do an anthology show based on the character of Jesse B. Semple that Langston Hughes wrote about. He's sort of a Forrest Gump character in the midst of 20th century Harlem.

Philip Roth has been a huge influence on me. The early books I read in my teens and twenties.

Jean Toomer is a phantom of the Harlem Renaissance. Pick up any general study of the literature written by Afro-Americans, and there is the name of Jean Toomer. In biographies and memoirs of Harlem Renaissance figures, his name is invoked as if he had been one of the sights along Lenox Avenue.

I like Philip Roth, John Updike, and Richard Yates.

Manhattan was the capital of the twentieth century for black writers, artists, and intellectuals as much as it was for their white counterparts.

James Baldwin is probably, for me and for many other people, one of the most extraordinary authors in this country, black or white. And he is somebody who changed my life.

My parents grew up during the Harlem renaissance.

For a long time, Nella Larsen was the mystery woman of the Harlem Renaissance. In the late 1920s, she published two sophisticated novels, 'Quicksand' and 'Passing,' and then her writing life came to an end. She died in obscurity in 1964.

Harlem's streets lead backward, into history, straight to a work such as 'This Was Harlem.'

Like Richard Ellmann on James Joyce, Arnold Rampersad on Ralph Ellison is in a class of its own. His masterful and magisterial book is the most powerful and profound treatment of Ellison's undeniable artistic genius, deep personal flaws, and controversial political evolution. And he reveals an Ellison unbeknownst to all of us. From now on, all serious scholarship on Ellison must begin with Rampersad's instant and inimitable classic in literary biography.

Eric Walrond, handsome, cosmopolitan, and beguilingly enigmatic, may have been the most promising literary talent of the Harlem Renaissance.... James Davis's finely written, beautifully paced Eric Walrond is a major biography of a fascinating figure.

A few of Ellison's short stories from the 1940s and 1950s were widely anthologized over the years. After a while, it became generally known that he was at work on another novel. Though he remained aware ever afterward of the authority 'Invisible Man' gave to him, no second novel followed his brilliant debut in 1952.

I've always loved Harlem and its communities.

Jerome Charyn is one of the most important writers in American literature and one of only three now writing whose work makes me truly happy to be a reader.

I had my schooling right there in the Cotton Club.

As one who loves literature, art, music and history, I've been deeply rooted in the Harlem Renaissance for many years.