Billie Joe Armstrong Quotes

It's fun to play somebody who's kind of struggling.

That's what I love about acting, you get to find little pieces of yourself in every character you play.

Pippin chooses love and finds a greater sense of himself at the end of all the madness. I relate to him in many ways. I have been through stuff, thought I knew best, and often been proven wrong.

In the case of 'Ice,' in the beginning when I got the script, felt like a show that was searching for what it is, and what they knew or what felt palpable to me was that this character, Freddy Green, was going to have the biggest journey.

Cry Baby is a character so I think that the next album is going to be about a specific thing in her life or another place in her world. It's going to be a bit deeper into a bigger picture.

I think my life actually changed at 40. That's when you realize you can't ride the fence anymore. You either have to get on one side or the other. I think some of my best years were between 40 and 50: I got my priorities straight and life is good to me now. It's only other people who say, "God, she's 50 years old!" as if I'm over the hill. I feel like I just started.

Its not a story in which the characters grow up, but a story in which they draw on something already inside them, brought out by the particular circumstances. I want my young friends to live like that, and I think they, too, have such a wish.

One thing that I don't think I do is play characters. Once you start claiming that you can do something that you're not, you're crazy. I think scripts can really surprise you. You go, "Wow, I did not know that that response could come from me. I did not know that I had that in me." And so, the process of making the movie is just finding that and digging a little deeper.

In a way I think why the Ghost story is very relatable to a large audience is that it's kind of a coming of age story and it's a realisation of 'I am what I am - what has happened to me, good or bad, that is the sum of who I am now'.

But I do believe that's when you do your soul-searching. I think when you have these trials that life gives you, it is an opportunity to find out who you are. Not just who you are when everything's great, but who are you when everything is taken away from you and you have nothing.

If I can't do that at age 33, I'll probably never be able to do it. As you enter your thirties, things get a little more squiggly, with life spreading out in different directions. All of that makes me think that now's the time to do what you really want to do and not have that same type of youthful anxiety about every step.

I'm a big believer in growth. Life is not about achievement, it's about learning and growth, and developing qualities like compassion, patience, perseverance, love, and joy, and so forth. And so if that is the case, then I think our goals should include something which stretches us.

I'm an actor, so I'm interested in the pursuit of storytelling and character and challenging myself and expanding my craft. That's not something that ever ends, because as you grow as a person, so does your capacity to play different characters. New things come up, new things you want to explore and new stories you want tell about life and your knowledge of things. I don't think there's ever going to be that satisfaction of "and now, comfort."

In the beginning of the book, The Miraculous Journey of Edward Tulane, Edward is more enamored of himself than he is of anybody else. He's a very fine rabbit; he's been constructed incredibly well, and he has a wardrobe of amazing clothing. He's arrogant, and he doesn't care whether Abilene loves him or not. As the journey progresses, as he gets passed from hand to hand, he learns what it means to love. He gets more and more bedraggled, and his clothing is lost; yet he becomes finer in soul and heart than he was at the beginning of the journey.

I don't think there's a certain part of a character I take with me. There's a certain part of me I leave with each character, though.

The middle of life is the testing-ground of character and strength.

I think everybody should act! I would encourage everybody to do one thing, join a theater class or something. It's so good to take a character that you think is wildly different from who you are, and to try to relate to that person and become that person is very helpful. It's hard to articulate what you learn, but you can feel the effect of these characters that you play and take with you.

I think that those of us who are ordinary disappear easily into the backdrop of life and we take things for granted. We often wake up in our lives and wonder how we got there. But the characters I create, the people I am drawn to, are quite extraordinary (and not always in wholesome ways), and they offer us the chance to understand who we really are and how we became who we are.

How would I behave in a situation that caused me to summon the essence of my character? The tragedy inspired me to test myself. I wanted to reveal to myself who I was: the kind of person who died, or the kind of person who overcame circumstances to help himself and others

I think you always take away a little bit of a character with you, and it kinda like hangs on you for a bit, and then as time kind of goes and wears off a little bit.

The big change that's happened for me in terms of my own life and how outsidership is reflected in my work is that I used to feel extraordinarily isolated in my life as I was trying to figure out who I was and how to have intimate relationships. And so my central characters also were isolated and usually in quite a bit of pain.

Character is both developed and revealed by tests, and all of life is a test.

When you come out of the other end of a long process, working with a character [you realize] this character has really shaped my ideas.

If you want to be witty, work on your character and say what you think on every occasion.

Sooner or later, fate puts us together with all the people, one by one, who show us what we could, and shouldn’t, let ourselves become. Sooner or later we meet the drunkard, the waster, the betrayer, the ruthless mind, and the hate-filled heart. But fate loads the dice, of course, because we usually find ourselves loving or pitying almost all of those people. And it’s impossible to despise someone you honestly pity, and to shun someone you truly love.