Eric McCormack Quotes

I like doing movies with kids in them, and you're explaining things. They're teaching you and you're teaching them, and the audience can loop through that.

It was fantastic to be able to have my kids on set. Dash, my eldest son, who’s not quite five, was into knights and his godmother had given him a plastic Marks & Spencer knights’ outfit and [first assistant director] Tommy Gormley said that he could stand to protect me during the scene where Clive [Owen] is talking about the immensity of sitting on the throne. I’m actually looking through an archway at my son standing in his knights’ costume protecting me!

The revelation that we have everything we need in life to make us happy but simply lack the conscious awareness to appreciate it can be as refreshing as lemonade on a hot afternoon. Or it can be as startling as cold water being thrown in our face. How many of us go through our days parched and empty, thirsting after happiness, when we’re really standing knee-deep in the river of abundance?

The tender Evenlode that makes Her meadows hush to hear the sound Of waters mingling in the brakes, And binds my heart to English ground. A lovely river, all alone, She lingers in the hills and holds A hundred little towns of stone, Forgotten in the western wolds.

I'll buy myself some plastic water, I should have married Lennon's daughter.

It was a very good experience. It wasnt just to make a movie, it was my life. I was employed at The Lord of the Rings for a year and a half.

Concern for the fate of the great rivers of the earth must lead us to reflect soberly on the model of development which our society is pursuing. A purely economic and technological understanding of progress, to the extent that it fails to acknowledge its intrinsic limitations and to take into consideration the integral good of humanity, will inevitably provoke negative consequences for individuals, peoples and creation itself.

I am haunted by waters.

A nothing day full of wild beauty .... Little fish stream by, a river in water.

You do a movie. However long it lasts, it begins and it ends in a relatively short period of time. In a given period of time, let's say a year, you can have three, four, or five different experiences which is exciting.

Our bodies are molded rivers.

I hadn't heard the Gary Cooper thing so I'm not grounded now. I feel pretty good. That's incredibly nice. When I met Robin [Williams] at the read-through, I remember when he came in, I was so nervous meeting him for the first time is incredible because I did actually write him a letter when I was a kid and told him he was my favorite actor.

Until I came to New Mexico, I never realized how much beauty water adds to a river.

In the end [of the "2012"], there were no ships, no water, no nothing. Only the interiors [were real]. Everything else had to be made, and that is always challenging.

I went down to the river, I set down on the bank. I tried to think but couldn't, So I jumped in and sank.

The cleanup costs of polluting a river, injecting pesticides into the ground water, or putting noxious gases into the air have not been figured into the cost of the manufacturing or agribusiness that put them there in the first place. Historically, the economic incentive has been to pollute.

It is a fascinating and provocative thought that a body of water deserves to be considered as an organism in its own right.

To drown a river beneath its own impounded water, by damming, is to kill what it was and to settle for something else. When the damming happens without good reason . . . then it's a tragedy of diminishment for the whole planet, a loss of one more wild thing, leaving Earth just a little flatter and tamer and simpler and uglier than before.

When I started, we had just the camera and the person, mostly. And if you wanted to do a dolly shot, particularly working in Chicago where I began, you'd get in the back trunk of a car, and you'd have a friend drive the car, or you'd get in some kid's little wagon that he plays with and have someone pull that for dolly shots.

Time was a face on the water, and like the great river before them, it did nothing but flow.

In making a movie, you're part of a big machine. Even in a small movie there are still so many people involved in the process, and it costs so much money to make. There is so much more invested in it for a lot of different people, so much money is sunk into it that they usually want some guarantee or promise that it's going to be able to do something on a financial level. There's just a lot more messing with you in film. I love movies and I love to watch movies and being a part of the whole film experience.

Well, I started years ago with Flashdance and we also did Coyote Ugly, so I have put my toe in the water before with romantic comedies. I love making them and I love making people laugh. That's a trademark that I don't think any producer would turn down.

Collecting all The rains of May The swift Mogami River.

From earliest times, water has always been acknowledged as a primary human good and an indispensable natural resource. Around the great rivers of the world, like the Mississippi, great cultures have developed, while over the course of the centuries the prosperity of countless societies has been linked to these waterways. Today, however, the great fluvial systems of every continent are exposed to serious threats, often as a result of man's activity and decisions.

Ever-newer waters flow on those who step into the same rivers.