Louise Penny Quotes

Every green thing loves to die in bright colors. The vegetable cohorts march glowing out of the year in flaming dresses, as if to leave this earth were a triumph and not a sadness. It is never nature that is sad, but only we, that dare not look back on the past, and that have not its prophecy of the future in our bosoms.

Though nature is constantly beautiful, she does not exhibit her highest powers of beauty constantly, for then they would satiate us and pall upon our senses. It is necessary to their appreciation that they should be rarely shown. Her finest touches are things which must be watched for; her most perfect passages of beauty are the most evanescent.

Words [are] more beautiful than a found fall leaf.

Glorious are the woods in their latest gold and crimson.

The preciousness of life and the changes of weather and the beauty of seasons - all those things have always sort of dazzled me.

The Flower that once has blown forever dies.

A human heart can never grow old if it takes a lively interest in the pairing of birds, the reproduction of flowers, and the changing tints of autumn leaves.

To me, beauty and sadness are very closely linked. Truly beautiful things make me sad because I know they are going to fade. When I see a beautiful 20-year-old boy or girl-and they are breathtaking-I am filled with a kind of sadness. But maybe they are beautiful because we know they are not permanent and they are in a kind of transition.

Every blade in the field - Every leaf in the forest - lays down its life in its season as beautifully as it was taken up.

The rose that lives its little hour Is prized beyone the sculpted flower.

Every thing that grows / Holds in perfection but a little moment.

If I describe a sunny morning in May (the buds, the wet-winged flies, the warm sun and cool breeze), I am also implying the perishing quality of a morning in May, and a good description of May sets up the possibility of a May disaster.

Because beautiful things never last. Not roses nor snow… And not fireworks, either

There was so much of beauty here: the neat, small tracks of a foraging creature, stoat or marten; the inticate tracery of a skeleton leaf, still clinging vainly to its parent tree as, little by little, time stripped it of its substance, leaving only the delicate remembrance of what it had been.

Peace to these little broken leaves, That strew our common ground; That chase their tails, like silly dogs, As they go round and round. For though in winter boughs are bare, Let us not once forget Their summer glory, when these leaves Caught the great Sun in their strong net; And made him, in the lower air, Tremble - no bigger than a star!

The ballet. I saw in the fugitive beauty of a dancer's gesture a symbol of life. It was achieved at the cost of unending effort but, with all the forces of gravity against it, a fleeting poise in mid-air, a lovely attitude worthy to be made immortal in a bas-relief, it was lost as soon as it was gained and there remained no more than the memory of an exquisite emotion. So life, lived variously and largely, becomes a work of art only when brought to its beautiful conclusion and is reduced to nothingness in the moment when it arrives at perfection.

No temple made with hands can compare with Yosemite. Every rock in its walls seems to glow with life...Awful in stern, immovable majesty, how softly these rocks are adorned, and how fine and reassuring the company they keep: Their feet among beautiful groves and meadows, their brows in the sky, a thousand flowers leaning confidingly against their feet, bathed in floods of water, floods of light.

Look at the fate of summer flowers, which blow at daybreak, droop ere even-song.

Passing beauties are only the fugitive reflections of the eternal. All beauty alters and all life melts away; in short, everything passes with marvelous rapidity; beautiful Helen of Troy has become a toothless skull, then a handful of dust, then nothing.

There is a beautiful spirit breathing now Its mellowed richness on the clustered trees, And, from a beaker full of richest dyes, Pouring new glory on the autumn woods, And dipping in warm light the pillared clouds. Morn on the mountain, like a summer bird, Lifts up her purple wing, and in the vales The gentle wind, a sweet and passionate wooer, Kisses the blushing leaf, and stirs up life Within the solemn woods of ash deep-crimsoned, And silver beech, and maple yellow-leaved, Where Autumn, like a faint old man, sits down By the wayside a-weary.

Fall leaves are brilliant with gold and red. You can cup them in your hand and wonder at them, be amazed at their uniqueness and glory. But eventually they are gone, brown, crumbling, scattered on the wind. But the tree remains. The tree is what is important. The tree lives on. That was a difficult knowledge to bear, and an even more difficult life to live. Of course, being the leaf wasn't exactly desirable either.

Let children walk with Nature, let them see the beautiful blendings and communions of death and life, their joyous inseparable unity, as taught in woods and meadows, plains and mountains and streams of our blessed star, and they will learn that death is stingless indeed, and as beautiful as life.