Kevin Jonas Quotes

Fleetwood Mac always take a long time to make a record - you know what.

It doesn't matter how many records you've made; there's always a new experience you can get with a new producer.

I'm only at home for, like, a month when I'm doing an album - at the most.

I'm always working on a new album because I'm always writing, and I'm always in and out of my home studio.

On the 'Escondido' album, I think it took us a month to make that album.

When I make albums, I do a lot of songwriting but not necessarily a whole album.

I get very deep into the writing and recording process.

I go through a thousand songs to find ten for a new record.

Every album is just a greatest hits of whatever songs are on a pile when I go in to make a record.

I like to make great albums.

I am thrilled to have been able to put together this new album. I listened to everything I had recorded in the 24 years with Elektra, and then just took all the ones I am mad about.

I have never taken more than two weeks to record an album throughout my career.

I had to go into a studio and compose and write and press up 12 songs in 14 hours. When you're recording a song from scratch it takes you 14 hours to do just one song.

Back in the day, I used to be in the studio recording 20 hours a day. And that was all of the time. I still record a lot of hours, but I don't go as long as I used to.

I guess we decided to make a new record 3 years ago when Nancy was done scoring for Almost Famous.

Anybody who thinks pop music's easy should try to make a pop single and find out that it isn't.

I actually enjoyed making 'Tango In The Night.'

You can see how different artists work, from writing to recording, just from being in the studio environment with them.

When you're making an album, it's, like, exciting every night you make something new, but you're the only one who gets to hear it.

All my writing takes place during the recording of the master tapes. I never do have songs when I start up an album. I actually write them while I record.

I really love crafting albums and thinking of albums as a whole, not just individual songs or singles or just tracks, but a whole entire album.

Most artists are going into the studio for a fixed period of time, and they say that's their album. I can't relate, because I've never made music in that way. I come from a culture of editing and remixing.

I must have 300 songs unreleased or unrecorded, lying around. I'm a production machine, it never stops.

It's really fun to get into that process of creating an album and telling a story. I really love it.

With 'Defenders,' we had some very barebones ideas, but the bulk of it came together very quickly over in Ibiza. The main thing I like about that record, looking back on it now, is the change in the texture of the production from 'Screaming For Vengeance.'