Roxane Gay Quotes

In order to be universal, you have to be rooted in your own culture.

Black culture is something I don't relate to much at all.

I do not think that a museum needs to engage with pop culture in order to make itself interesting to museumgoers. Museums are already interesting and engaging with pop culture for its own sake is just a quick way to seem and become dated.

I think people respond to truth. 'Straight Outta Compton' made $60 million over the weekend, right? That's not just a black audience. 'Empire' grew every single week. That's not just a black audience. Black culture is American culture, you know what I mean? They're becoming more and more one in the same.

I'm the black dude that loves old black culture. I also love old white culture. I just love history, but I'm the guy that wants to bring things back and push them forward.

I personally am going to look for stuff that interests me and either has very little to do or has the right thing to do with my ethnicity.

There are poor white people who hear rap music and feel it is about them, because it is. That's why you have an Eminem and a Bubba Sparxxx and rappers like that.

I think we should appreciate ethnicity and diversity, and appreciate the uniqueness of all people, but I don't think we should be ethnocentric. These things are not ultimate.

It's depressing to see blacks wanting to dive into the mainstream of American commercial life. They come from a magnificent African culture based on aesthetics, and they all want to become fort builders like the vicious people who originally enslaved them.

I'm a proud Indian but I feel very, very happy that people have accepted me here as well in the west. It's the people here in Britain that have given me my newfound fame here, so I owe it to them. We must give credit where it's deserved. It's not just the Asian community, it was also the British people who voted for me on Celebrity Big Brother and wanted to see me. So, I'm very happy and I think I'm a good eclectic mix of both cultures.

I really like to discover a new culture, a new country, a new rhythm of living. I really, really like that. I think that's the most enriching thing, for my nature, because I like the psychology of people.

The beauty of being black in American society is that black has always been an inclusive definition. White has always been an exclusive definition. I think one of the challenges for white people is to figure out how to have a more inclusive picture of who their families are, of who they are.

I'm being probably naïve, but I would like to think that once something moves you and you have an emotional involvement with it, and you see some relevance in it to your own life, then it's a little bit harder, maybe, to look at the people that produced it as being just exotic others that don't have any connection to you or relevance to you.

I don't think that the objective of the American negro is white middle-class values because what are white middle-class values?

I think people couldn't really put me in [one race]. I wasn't Mexican, I wasn't white, I wasn't black, I wasn't Asian... I wasn't anything, and I didn't really fit into anybody's group. My dad is Mexican, and my mom is French and Danish.

I think people look at me and realize that I am definitely not in line to the throne. It feels very easy living in Great Britain. The world is a much smaller place than it used to be, it doesn't feel like a huge cultural difference living here.

The thing is, right now the films don't need to be overtly political to be about our times. We also need films that are just human, that are about people. People need that, too. It's like we need to reconnect to what it is to be human. Not just what our political situation is. That's not what I'm thinking about exclusively. Human content is needed again, as it was in the '70s. I think films were more human than they've been since then.

Folk music has always contained a concern for the human condition. And since it brings people into it from different points of view, that can help illuminate what a consensus might be to important issues.

I'm always sort of looking for projects that I can sort of put out into the world, into the public sphere, and to somehow cause an effect. I want to be able to create projects that sort of are going to make people think and think in this sort of magical, sort of fantastical way.

I don't think a lot of people in America understand what Indians are. And that's our fault, a little. We tend to forget our roots a bit. As kids we think, If I'm too Indian, I'll be put in a box, and people will think of me as different. They'll think I'm weird, because I eat Indian food or my name is difficult to pronounce.

I think it's deeply important for us to know, especially when we come from the outside, how "ordinary people" think and feel and what their expectations are and what their concerns are. Also what's in their imaginations, what's in their minds, even what their rumors are and what their gossip is.

Everybody always talks about the science fiction genre, in particular, which always makes me think about people in spaceships. I can appreciate that, but that's not really where I think my dramatist aspect lies.

I think the artistry is in having an insight into what one sees around them. Generally putting things together in a way no one else has before and finding a way to express that to other people who don't have that insight.

Everything that creative people think and do is from the heart.

When you start to meet with ordinary people you understand that a Russian person, really any person from Russia, a Tatar, a Mordvin, a Chechen, a Dagestani, they are very open people, even a little naive. But there's one defining trait that probably all peoples have, although it comes out especially strongly in us. That's a drive toward fairness. It's one of the dominating, I think, traits in the mentality of a person from Russia, a Russian person.