William Wordsworth Quotes

There must still be room for the falling note, of course. Even in an undying world there are times when beauty passes from sight, or love passes from the heart, and we feel the sorrow of partition.

Song in the Manner of Housman" O woe, woe, People are born and die, We also shall be dead pretty soon Therefore let us act as if we were dead already. The bird sits on the hawthorn tree But he dies also, presently. Some lads get hung, and some get shot. Woeful is this human lot. Woe! woe, etcetera.... London is a woeful place, Shropshire is much pleasanter. Then let us smile a little space Upon fond nature's morbid grace. Oh, Woe, woe, woe, etcetera.

The brooding is better than the joy because even if the heart fills with happiness, it still mourns.

The weeping of the guitar begins. The goblets of dawn are smashed. The weeping of the guitar begins. Useless to silence it. Impossible to silence it. It weeps monotonously as water weeps as the wind weeps over snowfields. Impossible to silence it. It weeps for distant things. Hot southern sands yearning for white camellias. Weeps arrow without target evening without morning and the first dead bird on the branch. Oh, guitar! Heart mortally wounded by five swords.

I would not exchange the sorrows of my heart for the joys of the multitude. And I would not have the tears that sadness makes to flow from my every part turn into laughter. I would that my life remain a tear and a smile.

Spring and Fall: To a Young Child Márgarét, are you gríeving Over Goldengrove unleaving? Leáves, líke the things of man, you With your fresh thoughts care for, can you? Ah! ás the heart grows older It will come to such sights colder By and by, nor spare a sigh Though worlds of wanwood leafmeal lie; And yet you wíll weep and know why. Now no matter, child, the name: Sórrow's spríngs áre the same. Nor mouth had, no nor mind, expressed What heart heard of, ghost guessed: It ís the blight man was born for, It is Margaret you mourn for.

Who can really distinguish between the sea and what's reflected in it? Or tell the difference between the falling rain and loneliness?

Every man beholds his human condition with a degree of melancholy. As a ship aground is battered by the waves, so man, imprisonedin mortal life, lies open to the mercy of coming events.

And there you are on the shore, fitful and thoughtful, trying to attach them to an idea — some news of your own life. But the lilies are slippery and wild—they are devoid of meaning, they are simply doing, from the deepest spurs of their being, what they are impelled to do every summer. And so, dear sorrow, are you.

Compare the silent rose of the sun And rain, the blood-rose living in its smell, With this paper, this dust. That states the point.

Ho! Ho! Ho! To the bottle I go To heal my heart and drown my woe Rain may fall, and wind may blow And many miles be still to go But under a tall tree will I lie And let the clouds go sailing by

I used flowers because they die. My mood was darkly romantic at the time.

This autumn- why am I growing old? bird disappearing among clouds.

I wanted no more riotous excursions with privileged glimpses into the human heart.

We know that death never skips or spares anybody and that no one ever returns. And yet we go on like the blind, who see as little at midday as in the pitch-dark night. We do not take these examples to heart; we do not realize that today or tomorrow our turn will come.

We are dust and to dust return. In the end we're neither air, nor fire, nor water, just dirt, neither more nor less, just dirt, and maybe some yellow flowers.

I shall not let a sorrow die Until I find the heart of it, Nor let a wordless joy go by Until it talks to me a bit.

The ground of all great thoughts is sadness.

Melancholy is at the bottom of everything, just as at the end of all rivers is the sea. Can it be otherwise in a world where nothing lasts, where all that we have loved or shall love must die? Is death, then, the secret of life? The gloom of an eternal mourning enwraps, more or less closely, every serious and thoughtful soul, as night enwraps the universe.

I shall forget you presently, my dear, So make the most of this, your little day, Your little month, your little half a year, Ere I forget, or die, or move away, And we are done forever; by and by I shall forget you, as I said, but now, If you entreat me with your loveliest lie I will protest you with my favorite vow. I would indeed that love were longer-lived, And vows were not so brittle as they are, But so it is, and nature has contrived To struggle on without a break thus far,-- Whether or not we find what we are seeking Is idle, biologically speaking.

Myriads of daisies have shone forth in flower Near the lark's nest, and in their natural hour Have passed away; less happy than the one That by the unwilling ploughshare died to prove The tender charm of poetry and love.

Where have all the flowers gone

Before birth; yes, what time was it then? A time like now, and when they were dead, it would be still like now: these trees, that sky, this earth, those acorn seeds, sun and wind, all the same, while they, with dust-turned hearts, change only.

Sorrows must die with the joys they outnumber.