KT Tunstall Quotes

When you're on stage, you gotta do it. People pay to see you, and they deserve to be entertained, and you should go out there and really give it your best shot. And that's quite a challenge.

I want our fans to get their money's worth. If they are going to spend $40 to come to a show, it has to be good, from beginning to end. I like razzle-dazzle; we all do.

"Cannonball Adderley said, 'First 20 minutes we'll jazz out, then the last hour it's gonna be songs that people paid to see.' Which is why he was driving a Rolls-Royce."

You're on the stage and you've got all those people yelling at you, so you better be right in the moment, reacting to that. It's completely live and organic. Even 20 years later, it's the same thing. You may be even better on your instrument. Hopefully, you are.

And being away and not performing for a long time and really connecting with my audience for a long time, I have a great responsibility to myself and to them to do it exactly the way the process was when I was young.

I take a lot of pride in the work I do, because people pay to see me. They've got to get babysitters, park their car, get popcorn and candy. I've got to be conscious of that.

I'm not like a legend that - so I'm sort of in the middle in this sort of gray area where, you know, I'm creating music, and I'm not saying there isn't an audience, because there is; because all of those people go out and spend $80 to $150 on a concert ticket.

Young people go to concerts.

I do think that it's better for a musical to live its life first because if you see it on the screen, would you like to go to the theater after that? Probably not. You've seen it. And that's the mystery of a musical that hasn't been filmed. You're bloody meant to go there and buy your ticket.

When you pay your money to see me, I want you to have the best concert you can have from me.

From the first time you can look in the paper and you accept that you're the entertainment for some people that night, it becomes so much more enjoyable to play live.

In the years that I've seen concerts, when I've paid to see somebody I want to see, there would be a certain amount of songs I'd want to hear. So whether it's stuff I want to play every night or not - or stuff I've been playing for years or stuff you get tired of playing - you have to play what people pay for and make it fair for them.

When you're headlining, people are paying to come see you specifically. It's a different kind of pressure, because you've got to deliver. You've got to give these people what they paid for. It's a different mind state, a different type of mentality, but it's honestly a pretty good problem to have, you know?

Improv is always seen as something that's funny, but worth a $5 ticket, $10 at most. I think ISC is one of those shows that is worth a real ticket price. It's hard-hitting and great and different every time.

When I take a moment and listen to the wrestling fans and they're shouting, 'C'mon Ricky, you can do it!' It helps me in my heart to know that there are people out there who paid good money to watch guys like us go out there and perform.

Once I reached my 40s, I thought to myself that if I'm going to play live now, I need to really mean this. I can't go out and be a little bit, for one moment slovenly in my choices as a performer. I mean, these people have paid a lot of money to be here, they've been through the nightmare of getting here, starving themselves waiting for us to get on stage, so I'm going to give them what they came here for.

Music is entertainment, but I would like to be able to inspire the audience in a way that makes them leave, saying, "Wow, I just left with something I didn't have before going into this concert." I hope that people can leave either a live show or listening to our band record with a sense of peace, where the music was a moment of escape.

I just think you shouldn't expect people to pay money to see someone sing live and then lip-synch.

People come out to see you perform and you've got to give them the best you have within you.

The Pope is 77 years old and he's in charge of a billion people. All I have to do is put 11 on the field.

Your only guidepost is your own instinct and judicious editing. In my stand-up act I learned that in the first 10 minutes I could say anything and it would get a laugh. Then I'd better deliver. In the movie it's the same thing. You get a lot of laughs when people first sit down and then the story better kick in. Many years in front of an audience, I would hope, give me a sense of what works.

Start saving your pennies now. People spend $300 on crazy things all the time, things like handbags. So work all year, scrape the money together, and come to my show. I’m worth it.

Unfortunately this is the legacy that has been handed to us by the people before us, people who have won the Tour only to disappoint fans a few years later, if this is part of the process we have to go through to get the sport to the better place, obviously I'm here, I'm doing it.

Twenty-five years ago people could be excused for not knowing much, or doing much, about climate change. Today we have no excuse. No more can it be dismissed as science fiction; we are already feeling the effects.

I had to learn quick, because I was performing in Cinco de Mayo festivals with babies crying and people lifting their beers, and you know the feather dancers would come, and they'd say, "What are you, a poet? You're next".