George Saunders Quotes

And I think a good writer's gonna make it interesting. From the first paragraph it will all be interesting. Just work at it and work at it and work at it.

For me, inspiration isn't a sort of spark which lights the fire of the story. It's more like a thread, one of many, which you can tease out of a story once it's written, if you feel so inclined.

I love rewriting because that is where and how you discover the story. It's like you have this skeleton, and you get to put flesh on it and hair and clothes and really wonderful jewelry.

For 'Never Knowing,' I outlined it and then blocked it out on my office wall with index cards, but things still happened organically.

Plot is not my forte. It's like I have to live in my head in the book for a while before I figure out what the story is... My process is a bit messier.

The only way I could finish a book and get a plot was just to keep making it longer until something happens.

I might spend 100 pages trying to get to know the world I'm writing about: its contours, who are my main characters, what are their relationships to each other, and just trying to get a sense of what and who this book is about. Usually around that point of 100 pages, I start to feel like I'm lost, I have too much material, it's time to start making some choices. It's typically at that point that I sit down and try to make a formal outline and winnow out what's not working and what I'm most interested in, where the story seems to be going.

I wouldn't like to be a character in one of my books!

Sometimes I get the start of a story from a memory, an anecdote, but that gets lost and is usually unrecognizable in the final story.

I think I've written 40 books, and none of them have been heavy on action. I'm an introspective person.

So in the first draft, I'm inventing people and place with a broad schematic idea of what's going to happen. In the process, of course, I discover all sorts of bigger and more substantial things.

At first, I see pictures of a story in my mind. Then creating the story comes from asking questions of myself. I guess you might call it the 'what if - what then' approach to writing and illustration.

All the writing elements are the same. You need to tell a good story... You've got good characters... People think there's some dramatic difference between writing 'Little Bear' and the 'Hunger Games,' and as a writer, for me, there isn't.

I don't have a style. I just try to write what the story demands.

I have no favourite genre or style but treat each novel with the same care, imagination and craftsmanship. It's as difficult to write a crime or a children's novel with a touch of style and grace as it is a literary novel.

Writing 'when you find me,' it really exposed me to a way of putting together a story I hadn't thought of.

I always rewrite the very beginning of a novel. I rewrite the beginning as I write the ending, so I may spend part of morning writing the ending, the last 100 pages approximately, and then part of the morning revising the beginning. So the style of the novel has a consistency.

Every day, I learn something new. I think one of the most exciting things for a writer is to work on a TV show. It's like a novel. You have a really long time to develop and learn about the characters, and you can just really keep digging in deeper, every week.

It's been a while since I've written a novel aimed at the adult market, but I never sit down and say to myself, 'Okay, now I'm going to write something for us old folks.' I get gripped by an idea, and I go where the idea takes me.

It's rare that I actually have a story in my head. I have events or 'what's the next move?' Like, Maggie, 'where's she going to go in this story, where's she going to end up?' Then the story has to fill in the in-between, and that comes as I'm starting it.

Writers cannot simply have a go, imagining it's easier to produce a story than a novel because fewer words are required. Have a go by all means; be intrepid, but be equipped.

Becoming an author changes your attitude too. Once you see where books come from, and how they're made, they never seem quite as sacred again.

Each book has been different and has been challenging in its own way to write.

When I sit down to write, I don't think about writing about an idea or a given message. I just try to write a story which is hard enough.

When I sit down to write, I know everything I need to know... I start writing, and within 30 seconds or 60 seconds, I'm watching a movie. I'm not making this stuff up; the characters are acting it out, and I'm just writing it down.