Alice Cooper Quotes
Stick a needle in your arm, you bite the dust, you buy the farm.
Cooper, Alice. "Hey Stoopid." Hey Stoopid, Epic, 1991.
It is not heroin or cocaine that makes one an addict. It is the need to escape from a harsh reality.
She was the first Black woman to be elected to Congress and was the first Black woman to actively campaign for the Presidency
It is not clear that Wright actually used these words of the first title or the editors created it. The substance is his and the second line is definitely his. At the time, the average American mistakenly thought that China had a much higher consumption rate.
The reason that this is a noteworthy quotation is that it illustrates a problem of alcohol and other drug prevention. Specifically, the “fact” that is the message of the billboard is not correct and exaggerates the danger. The general problem is well-intentioned but inaccurate and misleading information provided to the public. When the public, especially young people, discover that the government or the other organization urging the public to eschew drugs is not telling the truth, they not only tend of disbelieve all anti-drug messages and believe that the warnings given are just part of politics or prudish elements of the society. In this case, many young people and adults have seen or know people who were heroin addicts and are no longer. They are not hooked for life. Worse, a single dosage of heroin does not per se inevitably cause addiction. There have been people who used heroin once, continued to use and became addicts. But there are many more who have tried heroin once or twice who did not become addicted. The real risk is that if someone tries heroin once, he/she may become one of those who goes on and gets hooked. The billboard message is “WILL” and the truth is “MAY”.
Alice Cooper is an American singer, songwriter, and actor whose career spans over 50 years. With a raspy voice and a stage show that features numerous props, including pyrotechnics, guillotines, electric chairs, fake blood, reptiles, baby dolls, and dueling swords, Cooper is considered by music journalists and peers to be "The Godfather of Shock Rock". He has drawn equally from horror films, vaudeville, and garage rock to pioneer a macabre and theatrical brand of rock designed to shock audiences.
