Tom Goodman-Hill Quotes

I'm a drama kid at heart. That is definitely where my heart and soul is. I did 'Hairspray' in high school - I was Seaweed.

I'd done stage musicals for quite a few years, starting with 'Grease' in Auckland.

I did a musical that I don't think anybody ever saw, called 'One Shining Moment,' and in that cast was Megan Mullally and Kevin Anderson.

My first professional gig was 'Once Upon a Mattress' at the Drury Lane Oakbrook... I was in the ensemble. I was one of the ladies in waiting, and I covered Winnifred.

'On the Twentieth Century' was always something I wanted to do because of Kristin Chenoweth.

The most rewarding thing is being on Broadway. I went into Cabaret as a replacement and was really challenged beyond anything I could have imagined.

I want to be like Sutton Foster, Kristin Chenoweth or Anne Hathaway and do everything that has to do with performing.

I had seen 'Avenue Q' off-Broadway back in 2003 and fell in love with it. I just thought it was the smartest, funniest thing I'd seen in a long time.

I did do Broadway for a little less than a year and realized quickly I don't have a passion for it and, more importantly, I don't have a talent in it.

In terms of theater, I would love to go back to do theater. If I could find something for me to do that fits in with the 'Psych' off-season, I'm game. I would like to do theater where I get to act and dance.

I absolutely loved my stint on Broadway in 'Hairspray.'

My mom took me to see 'Annie' on Broadway when I was little, and I just wanted to be doing what those girls were doing.

I did 'How to Succeed in Business..., ' 'Kiss Me Kate,' 'Godspell,' and 'You're a Good Man, Charlie Brown' in high school, all of which were fun.

I would definitely go back to 'Kinky Boots' because that family, I think, is so wonderful and incredible, and my role and my part were just so fun to play. But I would definitely love to do other shows as well.

I started out doing a lot of theater, a lot of Shakespeare, classic plays.

I came up through the theater. I came out of drama college and started working in the professional theater.

I did little theater things growing up.

I was thrown into a community production of 'Bye Bye Birdie' or something when I was a kid. I wanted to just build the sets, but I wasn't allowed to just build the sets unless I auditioned for the play. So I auditioned for the play and was thrown into the chorus. During the course of that I fell in love with it, and I never really turned back.

My aunt Marcia Cope-Hart was in 'Phantom Of the Opera' in San Francisco for quite a few years when I was growing up, so we would go into the city a lot to see her.

I would really love theater. I would love to do Shakespeare, that would be amazing. You know, it's whatever really comes my way.

I would be willing to do any role Duncan Sheik asked me to play.

I did a production of 'Journey's End,' an RC Sherriff play about World War I, at the Edinburgh Festival. I was 18 and it was the first time that people I knew and loved and respected came up to me after the show and said, 'You know, you could really do this if you wanted to.'

I'd love to go back and do theater. There's nothing like that instant response and the connection to a live audience.

I was always daydreaming about singing in big productions on Broadway.

When I found out that they were doing a revival of 'Annie,' I decided to audition just for fun and see how it turned out. So I auditioned, and I got a callback after callback after callback. And I just wanted to be a part of the show; I didn't care what role.