Tom Robbins Quotes

'In many ways, I was born a hundred years too late. I often feel out of kilter with the modern world.

Men who write love letters don't live in this century.

Certain things leave you in your life and certain things stay with you. And that's why we're all interested in movies- those ones that make you feel, you still think about. Because it gave you such an emotional response, it's actually part of your emotional make-up, in a way.

That moment - to this ... may be years in the way they measure, but it's only one sentence back in my mind - there are so many days when living stops and pulls up and sits and waits like a train on the rails. I pass the hotel at 8 and at 5; there are cats in the alleys and bottles and bums, and I look up at the window and think, I no longer know where you are, and I walk on and wonder where the living goes when it stops.

Going back after a long time will make you made, because the people you left behind do not like to think of you changed, will treat you as they always did, accuse you of being indifferent, when you are only different.

For although nepenthe has calmed me, I know always that I am an outsider; a stranger in this century and among those who are still men. This I have known ever since I stretched out my fingers to the abomination within that great gilded frame; stretched out my fingers and touched a cold and unyielding surface of polished glass.

Of course I think of the past and of Paris, what else is there to remember?

I think some people are really connected to who they were as children. And some people aren't.

I don't think I'd like Manhattan anymore. My mother-in-law lives there, and you go there. But I like looking at it from a distance. It's a fantastic sight - every time, it awes me.

Sometimes when I look at you, I feel I'm gazing at a distant star. It's dazzling, but the light is from tens of thousands of years ago. Maybe the star doesn't even exist any more. Yet sometimes that light seems more real to me than anything.

I know he's dead! Don't you think I know that? I can still like him, though, can't I? Just because somebody's dead, you don't just stop liking them, for God's sake--especially if they were about a thousand times nicer than the people you know that're alive and all.

I think the experience of feeling isolated, of not fitting in, creates the urge to explore.

Occasionally, very occasionally, say at four o’clock in the afternoon on a wet Sunday, she feels panic-stricken and almost breathless with loneliness. Once or twice she has been known to pick up the phone to check that it isn’t broken. Sometimes she thinks how nice it would be to be woken by a call in the night: ‘get in a taxi now’ or ‘I need to see you, we need to talk’. But at the best of times she feels like a character in a Muriel Spark novel – independent, bookish, sharp-minded, secretly romantic.

I think I was born in Elizabethan times.

I wanted the feeling of romance and the sense of wonder I had known as a kid. I wanted the world to be what they had promised me it was going to be - instead of the tawdry, lousy fouled-up mess it is.

At 68 I'm every age I ever was. I always think of that. I'm not just 68. I'm also 55 and 21 and three. Oh especially three.

How I imagined myself being 50 is not how I am feeling now. You think you'll be different, but I still feel like I am about 12 years old - mentally, not physically.

It's the same thing that happens when I turn off a really good movie - one that I've lost myself to - which is that I'll be thrown back to my own reality and something hollow will settle in my chest. Sometimes, I'll watch a movie all over again just to recapture that feeling of being inside something real. Which, I know, doesn't make any sense.

I think there's kind of a wave of nostalgia going on right at the moment. You know, people recall an earlier time, which they see as a better time. And I think we just kind of evoke good thoughts when they look at us. That's the feeling I get.

I have an habitual feeling of my real life having past, and that I am leading a posthumous existence.

Soho has got to be at its centre. It's got such a history for rock, pop, poetry, jazz, writers, all those things, and I think it should be valued as such, and protected as this centre for bohemia.

I think, with suits and clothes, if you keep them long enough, they all come back in fashion. It's like me. I've been around long enough and I've come back in fashion.

I don't know about timeless. I actually think most of what I do is completely modern, but universally modern. Who decides what timeless even means? Are the things that we consider timeless now going to, in fact, be considered timeless in 300 years? Probably not.

The free, creative, loving people who shine so brightly in my memory of studios and coffee shops have become models for a huge section of the population. If they in turn can just stay alive in the face of power and terror, they may become the decisive section.

I am totally, absolutely romantic. When I broke up with a girl I would listen to the most heart-breaking music and make it worse. That's what girls do. I think I am a girl really.