Tracie Peterson Quotes

I always have a book that I use that somehow inspires my novels.

For me, inspiration isn't a sort of spark which lights the fire of the story. It's more like a thread, one of many, which you can tease out of a story once it's written, if you feel so inclined.

I do want to write about Jane Whitefield again, but only when I have a good enough idea - something I've figured out about her that's news and that's worth a reader's time.

What I like about writing a stand alone novel is you're starting with a fresh world and fresh characters. Part of what I love about writing is that journey of discovery where it's all new to me as well.

Writing is, by its nature, interior work. So being forced to be around people is a great gift for a novelist. You get to be reminded, daily, of how people think, how they speak, how they live; the things they worry about, the things they hope for, the things they fear.

We never really know what's around the corner when we're filming - what turn a story will take, what a character will do or say to surprise us, how the events in the world will impact our story.

Stories of all lengths and depths come from different parts of the cave. For a novel, you must lay in mental, physical and spiritual provision as for a siege or for a time of hectic explosions, while a short story is, or can be, a steady, timed flame like the lighting of a blow lamp on a building site full of dry tinder.

Novelists do not write as birds sing, by the push of nature. It is part of the job that there should be much routine and some daily stuff on the level of carpentry.

No one knows how to write a novel until it's been written.

The thing I love about being a novelist is that with each project, you invent a new world. You approach it with a different set of aesthetic and structural ideas, and you grapple with a different series of problems in figuring out how to tell the story. And yet there are certain concerns that stay constant.

There's got to be something you want to tell and that's the engine which spurs all of the work you have to do in order to create the story, but you have to love some sort of nugget of what you're telling to be a filmmaker.

There are people who say they want to write novels. They think, 'I'll learn my craft on the romance novel.' If you don't love the genre, it's going to show, and it's not going to be a good book.

I quickly realised that it is difficult to get started when writing a novel. You have this dream of what you want to create, but it is like walking around a swimming pool and hesitating to jump in because the water is too cold.

It's been a while since I've written a novel aimed at the adult market, but I never sit down and say to myself, 'Okay, now I'm going to write something for us old folks.' I get gripped by an idea, and I go where the idea takes me.

I love sitting at my desk and facing a quiet day with a pen in my hand, and putting myself into a story. It's kind of weird, isn't it? I mean, to absent myself from real life and make up stories is strange, but I started doing this when I was ten years old. It was all I wanted to do.

Every pilot I've ever written, I've fallen deeply and madly in love with. It's the only way I work.

You don't want to be ungenerous toward people who give you prizes, but it is never the social or political message that interests me in a novel. I begin with an interest in a relationship, a situation, a character.

I have some other novels I want to write. I have a lot of short stories - I love the short story.

I started writing morning pages just to keep my hand in, you know, just because I was a writer and I didn't know what else to do but write. And then one day as I was writing, a character came sort of strolling in and I realized, Oh my God, I don't have to be just a screenwriter. I can write novels.

The process of writing a novel begins with a pang, a moment of recognition, and a situation, a character, or something you read in a paper, that seems to go off, like a solar flare inside your head.

Sometimes I'll get a premise, you know, for a book. In fact, I get those quite often. And I don't commit to it until I really know the voice of that character. It's almost as if the character is speaking to me.

The process of writing a novel is getting to know more about the novel until you know everything about it. And it's been described as a kind of dreamlike state where you're letting the novel make its own shape, and you're putting into it the pleasure of creation, which is intoxicating.

The experience of writing 'The Kite Runner' is one I will always think back on with fondness. There is an energy, a romance in writing the first novel that can never be duplicated again.

I write the kinds of novels I like to read, where the setting is rendered with love and care.

A lot of my ideas for books come from newspaper articles. But I don't like to be actively looking for ideas.