Judith Hill Quotes

At the end of the day, it is just a movie, and we should remember that we're doing it for the audience, and we should have fun doing it. If we have fun doing it, it will come across on the screen.

The greatest filmmakers are not the ones who put everything in; they're the ones who can figure things to leave out, and in doing so, invite your participation.

Fans are all I care about - to be honest. If they stop coming to the shows, then I will get worried.

At the end of the day if you want to entertain people, you've got to take your ego out of the equation.

If you look at the common denominator of all the comics who have had big success, it's being true to their nature... that's what takes a long time to learn.

It's a great privilege to make a film, to have it shown, and for people to see it.

'The Disaster Artist' isn't really about 'The Room.' It's about friendship and how dreams can come true.

I hope that we're creating something that fans will look forward to for every new performance.

Everything that you do in this entertainment business, you build a fan base.

I try to do different things, beautiful things, to play the game the way I see it, and I think I'm doing it pretty well.

I tend to gravitate toward people who are a bit more eccentric and creative and artistic in some ways. And I like bringing disparate kinds of creative people together to create some great work, even to share points of view on a new direction.

We take what we do seriously, but we don't take ourselves too seriously, and I think that kind of helps us stay focused on what's important - and that is the music, our fans, and our families.

When you're working with a producer, there has to be chemistry.

I think the best thing about performing as producer is to hear the fans sing along with your tunes.

Big movie or small movie, you make this thing, and then you show it to people, and you just hope they like it. You hope it works.

I say it's easier to write for other people than write for myself.

As you reach more people, there is a potential to make a living with what you are creating, and that's the goal.

We didn't want to just be a cover group, we wanted to do our music, to be a band. Once we were able to do it, it was a little scary, but it was also something inspiring - something new, fresh for us to get into. It was amazing to see the reaction of our fans.

At the end of the day, every decision I make about my music is about creating a collective.

It's always a pleasant experience while acting because I like to surprise myself and the audience with what I do.

I wouldn't have been so successful if I didn't have such a tremendous groundswell in support from my fans.

I think of it this way: When you hear that people have downloaded your comic, appreciate that thousands are eager to hear what you have to say. The poetry club down the hall may not have the same problem. That's a good problem to have.

At the end of the day, you are doing the film for the audience.

It's a collective experience when you're making TV. You think of all the people who work hard to make this extraordinary and you just hope that it works well.

New ideas need audiences like flowers need bees. No matter how bright and colorful, they will die unless others work to spread them