Robert Pattinson Quotes

I only write music for myself, I don't try and appeal to anyone else.

I want to create music that moves me, not just music that is going to get me famous or make someone at a label happy.

I think about the audience in the sense that I serve as my own audience. I have to please myself the way, if I saw the movie in a theater, I would be pleased. Do I think about catering to an audience? No.

I never think about what others are doing. I do a film for myself, not others.

Satisfying myself is the point in filmmaking, in my mind.

That's my actual payment, the fact that I can actually make something that I actually enjoy and put on repeat, and it's not related to anything else or anyone else's thoughts and ideas, it all came from me; I just love that aspect of it.

If people would like to come to my concerts I'd love them to come. And if they like the music that I make, I love that too. But I do not make music for other people. I make it to please myself.

I don't put any pressure on myself in terms of what people or fans do or don't want. It really just doesn't occur to me. I honestly just want to make the films I want to see as a fan. The film will survive or fail in my mind by how much I like it. Having said that, everyone wants their films to do well and to be well-received.

I don't want to be doing movies that I don't want to do. They take so much out of you.

When I don't have a movie, I don't take a job just for the sake of working. I just sit it out until I find something I'm passionate about.

If you look at my career... I couldn't possibly have chosen those subjects if I was thinking, 'That's a great commercial idea.' I'm not aware of a great musical where someone has done that.

The whole impetus behind going solo was an artistic inspiration in the sense that, obviously, success is fantastic. But as one becomes successful and gets branded with a certain sound, if the brand starts to become more of the focus than the evolution of the art, then that's putting the cart before the horse.

When you get to a point where you're successful enough that you can say, 'I don't have to take any job anymore,' and you're still good at what you do, how do you decide what work to take on? I think the answer is that you pursue what you enjoy. In my case, it's variety.

I suppose we'll make money off our album and our singles and stuff, but, like, they were made as we wanted them, exactly with what we had to say, and done exactly how we wanted them, right? And, like, we didn't put them out to make money. We put them out because we wanted to do them, do you know what I mean?

I just make music that I love. I'm kind of selfish when I make music. I'm like, 'Do I like this?'

When you're working in service to a big project, there's always the question of, 'Is there total freedom to do what I think is right artistically, or is this a job?' It's okay for things to be a job. I'm perfectly comfortable working. I don't need to sit around and quench whatever personal artistic thirst I have at all times.

I'm not trying to rub shoulders with any record executives. If rubbing shoulders in the industry is what I wanted to do then I wouldn't be doing what I'm doing.

The last thing I think about when I'm making music is its reception.

It's always better just to do work that you're really proud of and work that you enjoy because really all you have are the choices you make and that's it and who knows after that. I think that's what I love in acting.

I understand that a lot of other actors don't have a choice. They have to eat so they need to work and they'll do films that they're not so proud of. But I've been fortunate enough to be given a second wind, so I try to pick projects I know will provide the audience the kind of escapism they want from me.

My working life is me doing what I want to do. This is that. I've made movies that people don't go to see.

I stand by the Lost finale. It's the story that we wanted to tell, and we told it. No excuses. No apologies. I look back on it as fondly as I look back on the process of writing the whole show. And while I'll always care what you think, I can't be a slave to it anymore. Here's why: I did it for me. I liked it. I was good at it. And I was really … I was alive.

I don't really like approach music to become famous. I've actually consciously made the decision that I'm just going to do music because I love it.

One of the things about what . . . I do - writing plays - is that a poll is not taken before you say, Well, I'm going to write this because I think that you're going to like this and therefore you'll buy a ticket for this.

The thing that's important for me to focus on is the balancing of the tension between satisfying myself and satisfying an audience, and making something that I think is good and funny, worthwhile, small-"i" important, versus something that's going to do well.