Linda Perry Quotes

Writing songs is no different than explaining to somebody what you dreamed last night: No one ever gives you crap for what you dreamed last night. "I was laying in my bed, and all of a sudden a stallion jumped on my bed and the next thing I know I was in Mars but it looked like my kitchen"... That's kind of what I do with my songs, write them in a dream-like manner. It's up to people to swallow it however they want.

I've gotten to a point where I don't want lyrics to mean anything.

Radio allowed me to be a creator, and TV stole that creation from me by literalizing - and to some extent limiting - my vision.

When you give an artist a canvas, you shouldn't tell him exactly how much paint to put on it, or exactly how sharp the images should be. You should let the artist get going.

I was writing songs as a kid about leprechauns and Catwoman and teapots - whatever it is that little girls wanna sing about.

['Fire and Rain'] is sort of almost uncomfortably close. Almost confessional. The reason I could write a song like that at that point, and probably couldn't now, is that I didn't have any sense that anyone would hear it. I started writing the song while I was in London...and I was totally unknown.... So I assumed that they would never be heard. I could just write or say anything I wanted. Now I'm very aware, and I have to deal with my stage fright and my anxiety about people examining or judging it. The idea that people will pass judgment on it is not a useful thought.

I'd rather people interpret the songs and get whatever they can out of them instead of thinking about me crying in a room with a guitar.

Once they're on paper, they're gone. I like to do as much with the words, as far as image goes, so that it's really left open for a lot of things, even though I remember a specific impression of something I had at the time. I can't say a song is about this or that; in fact, I wouldn't even want to. I just prefer to have people live it anyway they want. Because it's theirs after that. There's nothing I can do about it anymore

I'm a songwriter. My voice just serves what I'm writing about. So to let all that go, I mean, bring the sensibilities of it actually to the song choices, but to just be the interpreter was incredibly liberating and really fun.

The best songs are the songs you write that you don't know anything about. They're an escape.

Dramatic reading and writing for kids can open a window to individuality and to expression that nothing else does, because all of a sudden the pressure is off and they just bring themselves to the table.

It's funny when you write a song - it's easy for me now - but there's almost a second stage where you take control of the song. You start writing it, and if you're not careful, it just finishes itself and it might not be what you wanted. It's very strange, it takes over itself. It has its own life.

A lot of my songs are fantasy. I can dream up all kinds of things. That's the kind of world I live in. It's very sort of flamboyant, and that's the kind of way I write. I love it

... maybe that's all anyone who writes or paints or sculpts is doing anyway -- excusing themselves for refusing to live like other people or be like them.

I think from a major-label perspective, if you were on the flip side of things and that's the world you were used to working in, your interpretation could be, "Oh, they're having trouble writing songs," when really it's like, "No, I'm not ready to write songs, I don't want to write a song right now, if I did write a song, it would be forced."

I write about what I want to write about, and so the film comes out as a very personal expression even if its subject matter is totally prefabricated.

I continue to write. It's just one of those things that I do. I'll have periods when I write and periods when I don't. But you don't want it to become a discipline really. If it becomes a discipline, it becomes a chore and that's no good.

Skill in writing frees you to write what you want to write. It may also show you what you want to write. Craft enables art.

It would get really alienating, to have my face be the face of a cause. So much just comes down to the songs. I just want to give us the opportunity to write great songs. Even our work in Haiti is limited by how good our songs are. We just need to get rid of as much of the bullshit as possible, so we can have a life, so we have something to write about.

When I take up my pen, nothing can happen to me. Fate, remember that.

I love the freedom of writing and then I love the realization of directing. I can't favor one or the other. I enjoy both parts of the process.

I am of the firm opinion that no one should tell writers what to do, or what to write, or how to write.

Maybe I'll just write books. I'd like to make another movie, but I don't want to go back and [do] what they want you to do, to make it for a million dollars. I did that. I don't need a lot, but I need what I used to get, and they don't give you that anymore.

Any time you turn off and let someone else make any artistic decision for you, you make a mistake.

Nobody will stop you from creating. Do it tonight. Do it tomorrow. That is the way to make your soul grow - whether there is a market for it or not! The kick of creation is the act of creating, not anything that happens afterward. I would tell all of you watching this screen: Before you go to bed, write a four line poem. Make it as good as you can. Don't show it to anybody. Put it where nobody will find it. And you will discover that you have your reward.