Jacques Barzun Quotes

I don't believe any real artists have ever been non-political. They may have been insensitive to this particular plight or insensitive to that, but they were political, because that's what an artist is-a politician.

I'm a dramatist.

I think there is a debate in the arts about, you know, whether we must strive for art for art's sake, and you know, kind of try to keep political debate out of our work. And to that I say, I'd like you to show me an example of, you know, this so-called apolitical art. I don't think there's any such thing.

Art is art. Politics is politics. It's very hard to get them together.

Some forms of reality are so horrible we refuse to face them, unless we are trapped into it by comedy.

Art is not a form of propaganda; it is a form of truth.

Tennessee Williams moves my soul.

Instead of asking what's wrong with rampant consumerism, we ought to be asking, 'What justifies it?' Popular art does not have to pander to the lowest level of intelligence and taste.

It is almost as safe to assume that an artist of any dignity is against his country, i.e., against the environment in which God hath placed him, as it is to assume that his country is against the artist.

I think when people try to use their art for political views, I think they're art becomes smaller, less interesting. And so for me, as an artist, I'm trying to speak about things in a universal way and not be pedantic or small-minded and try to convince other people of my political views. But having said that, every day I live in sort of complete terror because of what I read in the newspaper and what is going on in the world. I'm constantly, as I think many of us are, overwhelmed by the sort of, mass psychosis that's occurring.

I wish to boast that Pygmalion has been an extremely successful play all over Europe and North America as well as at home. It is so intensely and deliberately didactic, and its subject is esteemed so dry, that I delight in throwing it at the heads of the wiseacres who repeat the parrot cry that art should never be didactic. It goes to prove my contention that art should never be anything else.

When art becomes merely shock value, our sense of humanity is slowly degraded.

George Bernard Shaw writes like a Pakistani who has learned English when he was twelve years old in order to become an accountant.

Steve Jobs is perhaps the most competitive human being I have ever met in my life, and yet I would argue one of the most artistic human beings I have ever met in my life. You can trash the movies all you want, but they do have an artistic component. And yet brutal competition knows no peers when it comes to Hollywood.

Shakespeare - The nearest thing in incarnation to the eye of God.

The conflict between art and politics... cannot and must not be solved.

Every work of art (unless it is a psuedo-intellectualist work, a work already comprised in some ideology that it merely illustrates, as with Brecht) is outside ideology, is not reducible to ideology. Ideology circumscribes without penetrating it. The absence of ideology in a work does not mean an absence of ideas; on the contrary it fertilizes them.

Art is a kind of artificial memory and the pain which attends all serious art is a sense of that factitiousness.

The arts are the only things that separate us from the other animals. The arts are not decorative. ... They are essential to our comprehension of consciousness and ourselves.

There is still consciousness in hip hop.

I think it's the strength of her music, using art to make a statement. I think it really is. It was not a cheap gift. The gift was an expensive gift for Nina [Simone]. Diamonds are expensive. Her music was expensive. She paid for it, but I think it's her greatest gift.

Every true poet, I thought, must be original and originality a condition of poetic genius; so that each poet is like a species in nature (not an individuum genericum or specificum ) and can never recur. That nothing shd. be old or borrowed however cannot be.

I have seen, and heard, much of Cockney impudence before now; but never expected to hear a coxcomb ask two hundred guineas for flinging a pot of paint in the public's face.

It seems like the big difference between good art and so-so art lies somewhere in the art's heart's purpose, the agenda of the consciousness behind the text. It's got something to do with love, with having the discipline to talk out of the part of yourself that can love instead of the part that just wants to be loved.