Rajiv Menon Quotes

I can feel that the world this day is different than all the days of our lives before.

It's a different world.

That was then. This is now.

You may or may not like 'Baaz.' But you will definitely say I have done something different.

I'm just getting back into my songwriting groove. It's still pretty early. But I don't want to make 'Hero 2.' It's going to be different.

The best sequels throughout time keep what you really like about the first thing, but they aren't afraid to do their own thing for the next season and kind of grow, in a way.

Tomorrow is going to be different than yesterday, it's going to be a lot different.

The precision of hisskill places his work beyond the tentative and the experimental stage. He is continually searching and exploring both himself and his surroundings. and in this exploration of the realm of places, people and things, contrasts and relationships, Callahan is no respecter of conventional technical formula or code. His delicate sense of pattern is an integral part of his photography and not a thing by itself.

I think if you don't risk something in art, it's not really important.

The wonder, especially about the 'New Mutants' is, they're all kids. They're all growing. They're changing, literally, from page to page in terms of character and approach, past, present, and future. As a writer, that's the most delicious thing to play with.

Films should involve a director's idiosyncrasies as much as possible I think.

This is my real concern: to give each film a unique individuality.

I would never, ever change the formula of what we would do, but what I want to do is go down somewhere really conceptual. Really artistic. Really theme-oriented. But I don't want to push anything.

I just write what I write, produce the music I produce and try to give myself a chance to stay true to the art form. If you try to rein in an art form, it can be hurtful to what you are making.

I know someone might look at a creative person's job and think it's pretty fun. It is. It's the best thing in the world, but it's also extremely challenging to carve out your own completely unique path and not following a default path that someone else has already paved.

I never limit myself when it comes to telling stories; I think people can see that in my body of work. It's just about, 'What's a great story? Is it unique? Is it a challenge?'

'PKP' was one of its kind, and 'PKP 2' is a very different take on love.

If anyone has listened to my stuff over the years, they know I tend not to do the same thing twice.

I think one of the studio's characteristics is to embrace wholeheartedly what we feel is interesting; what we perceive to be worthwhile, cool, or beautiful; and to place these ideals at the foundation of the games we make.

I think I wanted my solo debut to be very unpredictable.

I'm interested in bridging and filling in space that hasn't already been filled, so when it comes to making music, I've just always wanted to be able to reference things that producers in the big pop major label context do, without compromising the entire sound of the record.

None of us had really any interest in doing a sort of 'Babel 2.'

James Cameron has always been great about changing the rules.

We do things differently. You don't have to worry about being part of a particular genre. You just go for it.

I would say any creative person has that: you can't just force a topic. Whether you're a painter, you want to do a cartoon. Anything. Something may come up that's not your style or suited to what you are working on at the moment. So you file it away and hopefully find a place for it.