Dove Cameron Quotes

I'm used to very low-budget situations. In 'The Exploding Girl,' we were literally changing in Starbucks because we didn't have trailers.

For me, I'm always looking for the opportunity for a character that challenges me and lets me play two for the price of one.

The work evolves when you get another part, and then you're getting called on to solve difficult characters, to inject a note of humanity into them. It's more interesting for me to do that than to stand around and be sunny.

The chance to play a character with a split personality is an actor's dream.

I feel like the high-concept shows that have some kind of gimmick tend not to be the hit classic shows of all time.

I find all of my performances come down to mathematics in a sense - how do you approach the problem of this character? Sometimes I crack that problem, sometimes I don't.

It's not so much that I got that idea at some point, it came up naturally because of the improvisational nature of the story I was telling.

I love it when actors come to you with a problem and you have to listen. You'd like them to just get on with it, but it often means that there's a problem with the script.

But it was this tough little character part that I was playing, a very funny little guy that I invented over a weekend, because I realized I was not contributing to the humor of this thing. And I had to do something.

The trick to playing Steve Jobs? I don't know.

Oftentimes, WWE lives in its own bubble because it is forever moving. Oftentimes, a motion picture will live in its own bubble because they have a certain amount of time to get everything done. It's just, when you connect the two and get everything straightened out, truly, it may take a little elbow grease.

I think if you have a series for a long time, it's in some ways like being in a play with a long run - in that the character stays the same - and so you are constantly posed with the challenge of making it interesting and unique week after week, year after year.

'Political Animals' was before its time: a little darker, a little edgier. The audience wasn't ready for it.

I've had to sink my teeth into a role that was probably a fried-chicken dinner and make it into a filet mignon.

I initially was very drawn to playing a split personality. I've always wanted to do that kind of role.

Everything is new about 'Siruthai.' This is the first time I'm playing a dual role - a thief and a police officer!

'Spooks' was very much of its time and rather unique, so I was more than happy to be in that as a long-runner - because I think we won't have that sort of show again. I think it was really, really unusual.

The idea to make hotel reviews the form of the novel came first. So I just started writing hotel reviews and tried to come up with a consistent voice.

Innovation is an ongoing process that you build into your culture.

Creativity is one of the most important brain functions in developing youth. It is the ultimate road to invention. I believe it is really important to both nurture and encourage this in children - and adults, too!

When systems are broken, it's an opportunity for invention and innovation.

Life doesn't happen in chapters - at least, not regular ones.

Only the flexibly creative person can really manage the future, Only the one who can face novelty with confidence and without fear.

The nice part about not being a huge film is that you get to goof around a bit more.

If you want to be a better musician, hang out with a computer coder.