Doug Casey Quotes

Gold has intrinsic value. The problem with the dollar is it has no intrinsic value. And if the Federal Reserve is going to spend trillions of them to buy up all these bad mortgages and all other kinds of bad debt, the dollar is going to lose all of its value. Gold will store its value, and you'll always be able to buy more food with your gold.

People would rather have art or gold instead of paper money.

It is particularly odd that economists who profess to be champions of a free-market economy, should go to such twists and turns to avoid facing the plain fact: that gold, that scarce and valuable market-produced metal, has always been, and will continue to be, by far the best money for human society.

Back in 1960, the paper dollar and the silver dollar both were the same value. They circulated next to each other. Today? The paper dollar has lost 95% of its value, while the silver dollar is worth $34, and produced a 2-3 times rise in real value. Since we left the gold standard in 1971, both gold and silver have become superior inflation hedges.

One of the great arts in living is to learn the art of accurately appraising values. Everything that we think, that we earn, that we have given to us, that in any way touches our consciousness, has its own value. These values are apt to change with the mood, with time, or because of circumstances. We cannot safely tie to any material value. The values of all material possessions change continually, sometimes over night. Nothing of this nature has any permanent set value. The real values are those that stay by you, give you happiness and enrich you. They are the human values.

Central banks are choosing to increase their gold holdings as a percentage of total reserves. They obviously think there is a reason to do that. It doesn't make sense to back up one currency with a hoard of other paper currencies. There needs to be a real anchor there. I think that central banks are well behind the curve. If you look at the percentage of above-ground gold controlled by central banks, it's historically low. Hence the fact that central banks are trying to increase their holdings. They've got a long way to go to get where they need to be.

Gold was an objective value, an equivalent of wealth produced. Paper is a mortgage on wealth that does not exist, backed by a gun aimed at those who are expected to produce it.

When they [visitors to his studio:] learn about the six-week daily-strip deadline and the 12-week Sunday-page deadline, a visitor almost never fails to remark: "Gee, you could work real hard, couldn't you, and get several months ahead and then take the time off?" Being, as I said, a slow learner, it took me until last year to realize what an odd statement that really is. You don't work all of your life to do something so you don't have to do it.

The superiority of the gold standard consists in the fact that the value of gold develops independent of political actions.

If gold knew what gold is, gold would get gold I wis.

The utility, or intrinsic value of gold as a commodity is now considerably less than in the past; its monetary status has become extraordinarily ambiguous; and its future is highly uncertain.

Everything in this business makes sense, because it serves a real purpose, fills a need that's a part of living. Even a single nail, like this one, fulfills a function. Drive it into a crucial place and you can depend on it to do a job, keep on doing it for a hundred years to come. Long after we're dead and gone, both of us.

Exposure to the reproductions [of Corbis-owned fine art photographs] is likely to increase rather than diminish reverence for the real art and encourage more people to get out to museums and galleries.

You put on a face for the public. The face isn't false; it's just another side of you. If it were false, you couldn't last. People want something real and natural, and if they catch you acting, you're dead. It has to look real. In order to look real, it has to be real, and I've always thought of the characters I've played as real people.

One of the beauties of art is that it reflects an artist's entire life. What I've learned over the past 30 years is really beginning to inform what I make. I hope that process continues until I die.

The next time anyone asks you "What is Bertrand Russell's philosophy?" the correct answer is "What year, please?"

In most modern instances, interpretation amounts to the philistine refusal to leave the work of art alone. Real art has the capacity to make us nervous. By reducing the work of art to its content and then interpreting that, one tames the work of art. Interpretation makes art manageable, conformable.

You can begin to see an amalgamation of cultures, the real beginning of one world. Ten years ago, it would have been impossible to imagine a Cockney singing group with a Southern Negro style and Indian and electronic music. I wonder if people have even noticed what a tremendous cultural signal the Beatles are.

As an artist, one doesn't know what is real. And so there's a search and a process of trying to locate something that feels or appears or somehow resonates with us on a deeper level. This is why art is such an interesting business to be in.

Whether I'm on for a day or whether I'm on for a year, at the end of the day, I sing for my dinner.

The Oval Office is a place where there's been, obviously, a lot of amazing experiences over a seven-and-a-half year period. My presidency is one where I've had to make some very tough decisions. I guess some presidencies are kind of - were real smooth, there were no real big issues. Well, that's not the way mine is.

I think for a lot of people that are in performing arts, it's easy to fall into the trap of starting to confuse what's real life and what's not, because to your body it's all real.

And so my music, it doesn't matter if I did it 20 years ago or if I did it tomorrow. It doesn't go with trends. My trousers don't get wider and tighter every six months. My music just stays what it is, and that's the way I like it.

The great thing about the Internet is - our show is totally modular. Every piece can be popped in and out. They're relatively short pieces. They're not long. And we can say, "here' s one way to market it. Take these pieces out of the show and put them on the Internet." And we're doing dirtier cuts and put those on the Internet. It's a real great way to market the show. This is finally the year a show like this can happen.

A loud noise will get your fight-or-flight response going. This, over the years, can cause real cardiovascular damage.