Christopher Marlowe Quotes
Our swords shall play the orators for us.
Marlowe, Christopher. Tamburlaine the Great, Parts 1 and 2. Edited by Matthew R. Martin, Broadview Press, 2014, p. 55.
He was the first of the modern Western poets and is often referred to as the Father of the Humanities
Just like Spain and Persia, the Arabs by fighting lost not only more land, but also lost the respect of most of the non-Muslim War. The conscious decision to choose an irrational strategy that would cause loss of life, land and respect has none-the-less repeatedly been chosen by the Arab culture. much to its detriment. Azzam is one of the few Arabs to admit this to the non-Islamic World.
The general was expressing a principle that is believed to this day by many policy makers, military people and civilians: Once a war has begun, one must not stop it until victory has been attained. It is unacceptable to negotiate an end to hostilities unless the enemy has been badly beaten on the battlefield. There is this view that “honor” would be lost and that enemies and even allies will not respect you and think the nation is weak and fearful. So there would always be extensive pressure to keep on fighting and not negotiate until there is a military dominant position.
Christopher Marlowe, also known as Kit Marlowe, was an English playwright, poet and translator of the Elizabethan era. Modern scholars count Marlowe among the most famous of the Elizabethan playwrights; based upon the "many imitations" of his play Tamburlaine, they consider him to have been the foremost dramatist in London in the years just before his mysterious early death. Some scholars also believe that he greatly influenced William Shakespeare, who was baptised in the same year as Marlowe and later succeeded him as the pre-eminent Elizabethan playwright. Marlowe was the first to achieve critical notoriety for his use of blank verse, which became the standard for the era. His plays are distinguished by their overreaching protagonists. Themes found within Marlowe's literary works have been noted as humanistic with realistic emotions, which some scholars find difficult to reconcile with Marlowe's "anti-intellectualism" and his catering to the taste of his Elizabethan audiences for generous displays of extreme physical violence, cruelty, and bloodshed.
