Paolo Bacigalupi Quotes

As a kid, I didn't need to be convinced the future promised peril and oppression, so when I started thinking up the middle-grade science fiction novel that became 'The Boy at the End of the World,' it seemed only natural to build the story around a dark vision of the future. In my book, civilization has nearly destroyed itself.

I did one sci-fi movie. I did 'Gattaca.' I liked 'Gattaca' because that was always the kind of science fiction I really dug, the non-action oriented sci-fi.

Edan Lepucki sets her debut novel, 'California,' somewhere in the 2060s. The nearness of this era helps make her vision both more discomfiting and more credible.

Greg Rucka's 'Lazarus' is amazing.

Most near-future fictions are boring. It's always dark and always raining, and people are so unhappy.

We've gone from, in the '50s and '60s, being very optimistic about the future, where the future is all spaceships and The Jetsons and flying cars, to where we were just sure the future was going to be a massive pile of rubble.

I haven't yet written a book in a far-future utopia, where all bad things are eliminated, but it would be fun to do that one day and introduce some subversion.

When I started the 'Broken Empire' trilogy, I thought it was a short story, and I didn't know the beginning, middle, or end of even that.

Los Angeles gives one the feeling of the future more strongly than any city I know of. A bad future, too, like something out of Fritz Lang's feeble imagination.

'Brave New World' dealt with a kind of proto-genetic engineering of the unborn, through really, as many dystopias do, it dealt with totalitarianism. The 1997 film 'Gattaca' updated 'Brave New World,' bringing us to a future where genetic testing determined your job, your wealth, your status in life.

I think there is a general unrest or curiosity about what a human future is going to be like, and whether the way we're living is even sustainable.

A lot of movies were influenced by 'Logan's Run,' like 'Minority Report'. A lot of films have those elements in them.

I have so many favourite science fiction films. I would say 'Alien' and 'Aliens' are two of my favourite sci-fi films. Also 'Children of Men' would be one of my favourite science fiction films. I love the original 'Solaris' and the remake. And even though it wasn't a film, the series 'Battlestar Galactica' was one of my favourite TV shows.

In 'Blade Runner,' the here is quite enough: a vision of dark, cramped, urban squalor. This is Los Angeles in the year 2019, when most of the earth's inhabitants have colonized other planets, and only a polyglot refuse heap of humanity remains. Los Angeles is a Japanized nighttown of sleaze and silicon, fetid steam, and perpetual rain.

I think that any sort of fantasy or sci fi that is grounded in something that could ostensibly be real - 'Jurassic Park' being my favorite example - is that much more prescient because it means that much more. Maybe one day, what if?

My favourite book in the world is 'Neuromancer' by William Gibson.

I spent my youth reading books in which corporations became governments, it's an old idea in science fiction.

People tell me I'm in a genre kind of movie, but it never crossed my mind that The Matrix was genre. To me it was about, for me anyway, my character, I had this rock outside my door which said "faith" or "believe" or something, and I remember felt like that was my key into her, into Trinity. It was like she was the heart of it.

It's been a very interesting exercise as a writer - writing a little family group, like The Incredibles or The Simpsons or something like that, and setting it in a big Star Wars-type setting. It's been really fun, definitely different from the kind of thing I normally do.

Biological evolution is too slow for the human species. Over the next few decades, it's going to be left in the dust.

I don't buy into the dystopian scenarios of self-aware robots enslaving mankind, but you don't have to be a sci-fi conspiracy theorist to acknowledge that plenty of good, well-paying jobs are being taken over by machines.

‎By 2100, our destiny is to become like the gods we once worshipped and feared. But our tools will not be magic wands and potions but the science of computers, nanotechnology, artificial intelligence, biotechnology, and most of all, the quantum theory.

Blade Runner was an incredibly influential movie, in terms of the way that it envisioned what the future was going to look like.

So much for endings. Beginnings are always more fun. True connoisseurs, however, are known to favor the stretch in between, since it's the hardest to do anything with. That's about all that can be said for plots, which anyway are just one thing after another, a what and a what and a what.

Right up till the 1980s, SF envisioned giant mainframe computers that ran everything remotely, that ingested huge amounts of information and regurgitated it in startling ways, and that behaved (or were programmed to behave) very much like human beings... Now we have 14-year-olds with more computing power on their desktops than existed in the entire world in 1960. But computers in fiction are still behaving in much the same way as they did in the Sixties. That's because in fiction [artificial intelligence] has to follow the laws of dramatic logic, just like human characters.