Ace Frehley Quotes

I was in Australia in about 1996 when I played some acoustic guitar for some guys at a studio down there. They were pretty happy with it, and mentioned doing an album, so about a year later I met some people who were interested in recording.

I actually enjoyed making 'Tango In The Night.'

I grew up seeing my sister in the studio. I would go to recording sessions and take notes.

That's one of the reason T-Bone Burnett calls me... he thinks I'm used to doing what I do in the studio for him.

When I make albums, I do a lot of songwriting but not necessarily a whole album.

I still love to go in the studio and write and all that.

I'm always working on a new album because I'm always writing, and I'm always in and out of my home studio.

I never really made a full album in Los Angeles before.

Making a record with 'Depeche Mode' is not a simple process. It's quite complicated and long. We have the luxury of time. I'm not sure that's such a good thing when you're being creative.

Making records should be fun.

The beauty of recording in L.A. is that most of the musicians that are on the record live here, so it was easy to get world class artists like Rick Braun to swing by and play a little trumpet, Everette Harp on sax, guitarist Paul Jackson.

I'm a little more comfortable in that role. I love being in the studio.

I've always had a lot of creative impact on the music with Timbaland.

I love being in the studio. If I'm at home, I will go to the studio pretty much every day anyway. It's just something that I like to do.

Nowadays, I really like playing in studios.

I guess we decided to make a new record 3 years ago when Nancy was done scoring for Almost Famous.

You can see how different artists work, from writing to recording, just from being in the studio environment with them.

Playing in my early bands, working as a studio musician, producing and going to art school was, in retrospect, my apprenticeship. I was learning and creating a solid foundation of ideas, but I wasn't really playing music.

Back in Korea, I'm always in the studio with YG people. I'd be given a song, and I'd cut it.

Great musicians need great producers. The Beatles had George Martin.

As for song recordings - well, that's something that just happens. I've been working with music directors like Harris Jeyaraj sir, A. R. Rahman sir, and the experience is great.

You should find the dopest producer in your area, and that producer is always going to want songs written to his beat.

Being in Weezer's just gotten so much more fun over the years. I love almost every part of my job. My very favorite part is working on new songs.

I like being in a recording studio. I like watching a song go from the simplicity of the original music.

I love the producer, Joel Rice. We worked together years ago putting a project together.