Anne Hathaway Quotes

All my films are, in some way, romances. But I've always felt that the best romances are somehow doomed.

'Casebook' is my attempt at a love story. I had a vision of a difficult love.

The 'Moonlighting' tension of the couple that obviously never can get together, there's an innate sort of fun and tension in that.

Then there's the story of ill-fated love. It's universal.

'Sunrise Sunset' is a letter I wrote to a girl I was once with who I really thought I was going to fall in love with. We tried to make it work but always had trouble maintaining a real relationship because we were both so caught up with work, life, and everything else that at the time seemed like it was the priority.

It's pretty hard to play 'Romeo and Juliet' with someone and not fall in love.

I did fail, say what you will, for Jo wouldn't love me.

The essence of man is, discontent, divine discontent; a sort of love without a beloved, the ache we feel in a member we no longer have.

I learned everything about love, watching 'Splash.' That's why I'm still single, so thanks Tom Hanks and Daryl Hannah for that.

I searched for years I found no love. I'm sure that love will never be a product of plasticity.

We have all loved a guy we know has issues. Despite popular opinions, until we give it a final try, the relationship will always be in the 'what if' stage.

I'm afraid love may not exist the way I want it to.

A pain stabbed my heart as it did every time I saw a girl I loved who was going the opposite direction in this too-big world.

I'm doomed romantically. I try to find a formula for everything in life, and that includes romance, but my methods haven't proven successful because there is no formula in romance.

When he says he loves me, it only means he loves me at that particular instant. Like his promises, which he never keeps. Why does he torment me like this, when he could finish it off at once?

I was born when you kissed me. I died when you left me. I lived a few weeks while you loved me.

I wanted him to love me, and I'm quite sure that he didn't.

For reasons I don't fully understand, tragic love has a certain appeal.

Barriers tend to intensify romance. It's called the 'Romeo and Juliet effect.' I call it 'frustration attraction.'

There are only really a few stories to tell in the end, and betrayal and the failure of love is one of those good stories to tell.

Primarily, 'Black Girl/White Girl' is the story of two very different, yet somehow 'fated' girls; for Genna, her 'friendship' with Minette is the most haunting of her life, though it is one-sided and ends in tragedy.

Romance classically has tragic underpinnings to it.

If a film is about love, it tends to be about tortured love or discovering love or young love. It's not this wonderful kind of comfortable, old resilient love.

I'm quite sure we all have a sweet love song that we dance to or recall from our wedding or something, like 'At Last,' but I think that it is the love-gone-wrong songs that touch even men.

You can't go on telling, 'I am in love.'