Ella Fitzgerald Quotes

When we were at the Apollo, Holiday was a block away. I asked her for her autograph.

I wake up late, say 10 or 11, because we've usually been out and about town until 2 or 3 A.M. listening to music at the jazz clubs or hitting the jazz clubs post-theater.

I was a jazz major in high school, in an all-jazz band. No matter what I do, it features my musical influences.

I'm not gay, so I don't know much about Broadway musicals.

So I'm a young boy in the 1940s growing up, seeing Ralph Bunche on a regular basis, seeing Duke Ellington on a regular basis. We know that these people are famous. They're living in the same community as we live in. They go to the same stores and shops.

We went to see all the shows. American musical theater and jazz were very big.

I had seen the photographs of Harlem in its glory days, stylish men in bespoke suits, women so well dressed that they'd put the models in 'Vogue' to shame. I knew that Harlemites loved to dance, to pray, and to eat.

As a kid, I used to go see all the jazz players, Oscar Peterson, Stan Kenton, Dave Brubeck, Dizzy Gillespe.

There's this great thing called the 'Chitlin' Circuit,' which I started my shows on and back in the day when, you know, Ray Charles and Billie Holiday and Duke Ellington, they couldn't get into white establishments, so they went on this circuit and toured. They were huge stars in their own community, you know, and that's pretty much my same story.

I once tried to sing jazz for real. But jazz didn't do it for me. You can't have jazz without a jazz world, which doesn't exist anymore.

I learned a lot about American history though jazz, and that's why I loved American history when I was in high school. I could hear different stories - the story that they would tell in school, and then the story that I would hear in the music.

I met Obama once, backstage at the Apollo in Harlem.

My parents grew up during the Harlem renaissance.

I especially like Duke Ellington jazz, which is a little more... I lived in New York for a while. I lived in Harlem for a bit, and I just fell in love with the idea of that era of New York, that jazz era, especially jazz in Harlem.

I went up to his [Hank Jones'] house and there were four guys there: Dizzy Gillespie, Charlie Parker, Bud Powell, and Max Roach. Not a bad place to be. Scared shitless, but a nice place to be on my second day in New York.

The beauty of Billie Holiday is that she gave every singer after her the license to interpret and perform music in ways that were unique to each of us. Her uniqueness was very much a part of the way she sang the songs, the story she wanted to tell through the songs. I didn't really have a full understanding of Billie until I left home -- until I'd lived a little, shall we say. At different seasons of my life, when I'd sing her songs or listen to her albums, I'd hear things I didn't hear before. Wherever you are in life, you'll hear different things in her songs.

I remember the night when I was playing at Birdland, and Duke Ellington walked in wearing that cap of his and with all his elegance. The Duke then came backstage, and I was there with my band. That's the one thing I miss.

We must not expect simple answers to far-reaching questions. However far our gaze penetrates, there are always heights beyond which block our vision.

I didn't notice him coming, but he didn't seem to be looking for an autograph signature

Man proposes, but God blocks the game.

Thelonius Monk went over to Bird and Bud Powell and said, 'I told you guys to act crazy, but I didn't tell you to fall in love with the act. You're really crazy now.'

I was at a restaurant and I heard this little voice at a nearby table pipe up and say, 'I believe I will have the chowder.' I got up and walked out into the middle of the restaurant. There was Sterling Holloway just sitting there being Sterling Holloway. Never in a million years would I have imagined that I'd have the honor of filling his shoes. I just regret not going up to him and saying hello.

I don't want to be an alarmist, but I think that the Younger Generation is up to something.... I base my apprehension on nothing more definite than the fact that they are always coming in and going out of the house, without any apparent reason.

We all look for happiness, but without knowing where to find it: like drunkards who look for their house, knowing dimly that they have one.

I had never met an actress or an actor when I thought that I might like to be one. I had never been around people in show business or from the theater or from movies or anything. And I say that as an encouragement, I don't know some people who want to be doing what I'm doing or be involved in film. You don't have to be from it to get interested and get involved. I certainly wasn't.